Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
Under Henshaw’s direction the grizzled proprietor now served tiny cups
of coffee to the sheik and his lesser patrons. Two of these played
dominoes, and one or two reclined as in sleep. Cameras were brought up.
The interior being to his satisfaction, Henshaw rehearsed the entrance
of a little band of European tourists. A beautiful girl in sports garb,
a beautiful young man in khaki and puttees, a fine old British father
with gray side whiskers shaded by a sun-hat with a flowing veil twined
about it. These people sat and were served coffee, staring in a tourist
manner at their novel surroundings. The Bedouins, under stern command,
ignored them, conversing among themselves over their coffee--all but the
sheik.
The sheik had been instantly struck by the fair young English girl. His
sinister eyes hung constantly upon her, shifting only when she regarded
him, furtively returning when she ceased. When they left the cafe, the
sheik arose and placed himself partly in the girl’s way. She paused
while his dark eyes caught and held hers. A long moment went before she
seemed able to free herself from the hypnotic tension he put upon her.
Then he bowed low, and the girl with a nervous laugh passed him.
It could be seen that the sheik meant her no good. He stepped to the
door and looked after the group. There was evil purpose in his gaze.
Merton Gill recalled something of Henshaw’s words the first day he had
eaten at the cafeteria: “They find this deserted tomb just at nightfall,
and he’s alone there with the girl, and he could do anything, but the
kick for the audience is that he’s a gentleman and never lays a finger
on her.”
This would be the story. Probably the sheik would now arrange with the
old gentleman in the sun-hat to guide the party over the desert, and
would betray them in order to get the beautiful girl into his power.
Of course there would be a kick for the audience when the young fellow
proved to be a gentleman in the deserted tomb for a whole night--any
moving-picture audience would expect him under these propitious
circumstances to be quite otherwise, if the girl were as beautiful as
this one. But there would surely be a greater kick when the sheik found
them in the tomb and bore the girl off on his camel, after a fight
in which the gentleman was momentarily worsted. But the girl would be
rescued in time. And probably the piece would be called Desert Passion.
He wished he could know the ending of the story. Indeed he sincerely
wished he could work in it to the end, not alone because he was curious
about the fate of the young girl in the bad sheik’s power. Undoubtedly
the sheik would not prove to be a gentleman, but Merton would like to
work to the end of the story because he had no place to sleep and but
little assurance of wholesome food. Yet this, it appeared, was not to
be. Already word had run among the extra people. Those hired to-day
were to be used for to-day only. Tomorrow the desert drama would unfold
without them.
Public-domain text, read in full here on John Shaqi.
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