Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
Another interesting class of copper figures was further discovered by
De Sarzec at Tellô: it consisted in a number of small statuettes most of
which were dedicated by the patesi Gudea; each is in a kneeling posture
and holds a cone between his hands, while the head-dress consists in the
horned cap characteristic of all Mesopotamian deities, whether early or
late. These little figures are about eight or nine inches high. The
cones are inscribed with a votive inscription, and the cones themselves
must probably be regarded as religious symbols. Cones made of clay or
stone belonging to this period are common enough, their occurrence
however in copper and in immediate contact with the statue of a human
being is very rare. A plain long copper cone measuring 1 foot 1-1/2
inches in length, and bearing an archaic inscription, is now preserved
in the British Museum, this is however an exception, metal cones being,
on their rare occurrence in Babylonian art, in nearly all cases
associated with human or quasi-divine figures.
One of the best and also earliest examples of these copper
cone-statuettes is that of Ur-bau (_circ._ 2500 B.C.) patesi of Lagash,
now preserved in the Louvre, and reproduced in figure 39, C. This figure
was found enclosed in a clay vase in the bottom of which three holes had
been bored, and it was accompanied by a fine white marble tablet, the
inscription upon which is a kind of résumé of the text found on the
statue of this patesi. The god is kneeling on one knee, and his hands
are fixed firmly on an elongated cone which resembles the nail-pointed
terminations of the earlier figures. The head-dress consists in the
horned cap. The features are full of expression and force in spite of
their heaviness, and the statuette as a whole shows a great advance on
the artistic products of the time of the first dynasty of Lagash, and
also compares very favourably with the later work of Gudea’s time.
Among other early copper objects of interest we may especially mention
two bulls’ heads the casting of which is not solid, as is the case with
all the figures hitherto referred to, but hollow, and a curious vase,
all found together at Tellô in the stratum immediately above that
representing the age of Ur-Ninâ.[107] The bulls’ heads (cf. Fig. 40, A)
are practically identical in type though not in size; the horns are long
and the muzzle short, but notwithstanding their crudeness these heads are
full of vitality, and are not without a charm of their own. The larger of
the two, which is seen in Fig. 40, A, has its eyes inlaid with
mother-of-pearl, while the pupils of the eyes are made of lapis lazuli;
it is some seven and a half inches high (including the horns), the
smaller head being only five and a half inches in height.
[Illustration: FIG. 40.—A, C, D (Musée du Louvre) Cat., pp. 318, 310,
324. B (from Hilprecht, _Explorations_, p. 540). E (from Harper, _A. J.
S. L._, XX, p. 266).]
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