Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
In Fig. 47, A, we have a black and white reproduction of one of the clay
relief bulls which adorned the gate of Ishtar at Babylon. The bull is in
the act of walking, and exhibits both grace and dignity in his
movements, the slightness of his frame only serving to intensify the
agility with which he seems to advance. The proportions are excellent
and contrast very favourably with the Assyrian bull from Nimrûd (cf.
Fig. 47, B). The latter is hard and conventional, while the posture—in
itself a sufficiently natural one—is here rendered in a most wooden and
inanimate fashion. The body of the animal is white, but the painter has
attempted to make his subject stand out upon its pale yellow background,
by edging it with an artificial outline of black. When the bull was
coloured blue and thrown on to a white background this device was of
course unnecessary (cf. Layard. Ser. I, Pl. 87.) The blue bull here
alluded to belongs to the same species as the white one reproduced in
Fig. 47, B, and is in the same kneeling position, but he is furnished
with the wings of an eagle. It will be observed that in the Babylonian
bull, as also in both the Assyrian bulls, the artist has evaded the
difficulty of drawing the two horns in perspective by portraying only
one, the other being theoretically concealed from view by the horn near
the spectator.
But the palace of Nebuchadnezzar itself contained a large number of
these coloured reliefs, many pieces of the glazed tiles of which they
were composed having been found by Koldewey. The fragments recovered,
number literally thousands, and Koldewey says that apparently when the
bricks were stolen by later builders, the glazed portions were knocked
off in order to make them more useful for the common purposes for which
they were destined, and we to-day are the beneficiaries of that lack of
appreciation. Amongst the animals portrayed on the palace and temple
walls may be mentioned the bull, a mythical monster compounded of
“parts of a bird of prey,” scorpions, serpents, panthers and steers, as
well as the ubiquitous lion, while some of the fragments recovered show
parts of the human body, and birds are also sometimes encountered. The
lions form the most interesting study: there are two main types, (1)
lions walking to the left, with white skins and yellow manes; and (2)
lions walking to the right (_a_) with white skins and yellow manes, and
(_b_) yellow skins and green manes; while there is a third type
characterized by lions running to right or left. Sometimes the tail is
portrayed standing out straight behind, sometimes it assumes a curved
and less rigid form. Great difficulty has been experienced in fitting
the various fragments together, but the assiduous efforts of the Germans
have not been without success.
Public-domain text, read in full here on John Shaqi.
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