Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
p.
118). The clay figures or statuettes of the earlier period were either
fashioned by hand, or else stamped in a mould, but in either case they
were solid, in contradistinction to the Babylonian terra-cottas of the
later Greek and Roman times which were generally hollow in the interior,
their outside being coated with a kind of paste by means of which the
artist endeavoured to work out the details of hair, clothing, and other
externalities, while they were not infrequently covered with a vitreous
glaze, the colours used being blue and green. But a consideration of
this later work lies beyond the scope of our volume, which is confined
to a consideration of the Babylonian and Assyrian period.
CHAPTER XII—STONEWARE AND POTTERY
Stone and clay were the two materials from which the Babylonians and
Assyrians as a rule manufactured their vases, pots and bowls, though, as
we have seen (cf. Fig. 45), metal was occasionally used for the purpose.
Unfortunately the study of Babylonian and Assyrian pottery has never
received the attention which it deserves, while in the earlier
excavations carried on in Mesopotamia the importance of these
uninscribed relics of the past was not realized, and the omission to
observe the particular strata of the mounds in which they were
respectively discovered, as well as in some cases the failure to note
even the sites where they were unearthed, has made anything like a
systematic study of Babylonian and Assyrian pottery a virtual
impossibility.
Various kinds of stone were used as materials for making bowls and vases
from the earliest periods of Mesopotamian civilization. Thus at Nippur
the American excavators unearthed a vase made of sandstone, bearing an
inscription of Utug, patesi or priest-king of Kish, the writing of which
was even more archaic than that on the mace-head of Mesilim, king of
Kish (cf. p. 185, Fig. 26) and, therefore, presumably of an earlier
date; it seems to have been dedicated to En-lil as a thank-offering, an
incidental testimony to the important place which the god of Nippur must
have occupied even at this extremely remote period. So, too, a vase of
white calcite stalagmite, bearing an inscription of Urzage, a king of
Kish belonging to about the same period, was dedicated to En-lil and his
spouse Nin-lil.
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