Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
But the practice of making vases of stone did not cease with the decline
of Babylonian supremacy; the Assyrians imitated their cultural
progenitors in this as in all other matters. The most interesting stone
vase belonging to the Assyrian era is that bearing an inscription of
Sennacherib (cf. Fig. 91, A). It is a kind of amphora though the two
handles are nearly worn away. The shape and proportions of this vase are
very artistic, and the curves well rounded off. In general contour it
somewhat resembles the little glass vase of Sargon, a yet more
remarkable relic of antiquity (cf. Fig. 91, C). Another interesting
example of Assyrian stone-ware is seen in Fig. 91, B; the vase, which is
decorated round the neck, bears the traces of a well-nigh effaced
inscription, and like the small glass vase of this same king is engraved
with a small lion. It is shaped differently from most of the stone vases
of the period, and has a charm and beauty all its own. Various glass
vessels and tubes were recovered from the ruins of Babil, Kouyunjik and
elsewhere, but their date is in nearly all cases an uncertain quantity.
Assyrian and Babylonian glass would appear to have been made in the
ordinary way, i.e. by a mixture of silex or sand with alkalis, while it
was fashioned into the required shape by means of a blow-pipe, and
finished off with a turning machine, of which the marks are sometimes
still visible. This is the case with the little vase of Sargon
illustrated above.[152]
Stone-ware of the late Babylonian period is well illustrated by the
jar-fragment of Nebuchadnezzar (604-561 B.C.) published by W. L. Nash in
the _Proceedings of the Society of Biblical Archæology_ (1910, p. 180).
The inscription is very brief and apart from the king’s name only has
the numeral “one,” which was probably followed by a measure, but the
name of the latter is broken away. This stone jar like the Assyrian jars
differs from most of the inscribed vessels of earlier times, which
usually bear a dedicatory inscription, while in shape it is not unlike
the Assyrian jars seen in Fig. 91.
Allusion has elsewhere been made (cf. p. 86) to the marble vase bearing
the name of Xerxes in cuneiform and Egyptian hieroglyphics, but a number
of similar vases and fragments bearing an inscription of this same king
have also been brought to light. One such vase was found by Newton at
Halicarnassus in Asia Minor, the fragments of another being found by
Loftus at Susa, while a third (cf. Fig. 91, D) recently acquired by the
Babylonian Museum of the University of Pennsylvania, is published by
Clay in the _Museum Journal_ (1910, I, p. 6). It bears the royal
inscription of Xerxes the Great written in four different languages,
Persian, Elamite, Babylonian and Egyptian, the last-named being written
in the old hieroglyphics, and the other three in cuneiform. The vase
measures nine and seven-eighths inches in height, and eight and
fifteen-sixteenths inches in diameter.
Public-domain text, read in full here on John Shaqi.
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