Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
The architecture of a country is determined very largely by the
materials with which nature has endowed that country; it is also
influenced by the configuration of the country itself as well as by the
climate whose effects it is the builder’s object to either regulate or
counteract. The physical characteristics of the Mesopotamian Valley as
also the climatic conditions which prevail there have already been under
consideration, but it will not perhaps be unfitting to devote a few
pages to a review of the materials which were used for building
operations, before we proceed to discuss the ruins of the buildings
themselves.
It has been already stated, that practically no stone at all is to be
found in the low-lying and marshy country of Babylonia, hence it never
assumed an important place in Babylonian architecture; any stone
required, had to be quarried far away in the mountains and transported
at great labour, in consequence of which it was only employed for
exceptional purposes and in cases where the desire for permanent
durability rendered it necessary. Accordingly the stone used was
generally diorite, basalt, or some other hard stone of volcanic origin,
contrasting strikingly with the softer stone utilized so freely by the
Assyrians. Assyria on the other hand was more fortunate in this respect
and afforded a very fair supply of limestone and alabaster which were
used extensively by her sculptors and builders, though the clay so
easily procurable all over the valley was the one indispensable element
in the erection of temples, palaces, or houses in both countries. The
supply of wood again was extremely scanty not only in Babylonia but also
in Assyria, and any wood used for columns, lintels or thresholds was
generally brought from Lebanon, Amanus, or some other distant place.
We thus see that the art of brick-building was almost forced upon the
dwellers of Mesopotamia from the very necessity of the case.
The clay used for the purpose was by no means uniform either as regards
its colour, or as regards its quality. Sometimes it is of a light yellow
colour, sometimes it is almost black, while the clay from which other
bricks are made is of a reddish hue. Those made of light yellow clay are
the best from the point of view of durability. The bricks further vary
both in size and shape according to the period to which they belong, so
that it is often possible to provisionally assign a date to a building
or the remains of a building by an examination of the style of brick
employed. The type of brick characteristic of the early periods of
Sumerian history is that known as the plano-convex[48] type; thus the
kiln-burnt bricks of which the storehouse of Ur-Ninâ, the first king of
Lagash, was composed, are oblong and plano-convex, while each of them
also bears the impression of a thumb-mark on the convex side.
Public-domain text, read in full here on John Shaqi.
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