English fiction -- 20th century; Man-woman relationships -- Fiction; Murder -- Fiction; Short stories, English; Teenagers -- Fiction
She was perfectly incapable just then of looking beyond the immediate
present and the glorious certainty of seeing Leslie Morrison again in
the morning.
Although Elsie had been attracted, in a sensual and superficial manner,
by a number of men, she had never in her life loved before, and the
passion for Morrison that had suddenly swept into her life held all the
force of a long repressed element violently and unexpectedly liberated.
Body, soul and spirit, she was obsessed almost to madness by this young
man, several years her junior, whom she had not known a month.
When Horace Williams came up to bed it was nearly midnight, and Elsie,
her face half buried under the sheet, pretended to be asleep.
IV
The love-affair of Elsie Williams and Leslie Morrison swept on its
course, and in the early days of their madness neither of them paused
for an instant to count its possible cost.
It seemed, indeed, as though Fate were deliberately simplifying their
way.
Horace Williams appeared unable to give his attention to anything
beyond his newly-discovered digestive trouble, and remained
constantly indoors through the hottest and finest of the summer days,
experimenting upon himself with drugs, and studying tables of dietetic
values. He questioned Elsie very little as to her movements, taking it
for granted that she, Morrison, and Geraldine formed a trio.
In point of fact, the youth whom Geraldine had met at the Sunday
evening concert, and whom she spoke of as Percy Belcher, now almost
always made a fourth in the party.
Geraldine monopolised him eagerly, and openly showed her triumph at
feeling that she could now afford to relinquish Leslie Morrison.
Elsie and Morrison went swimming together, and lay on the hot,
crowded sands, and dropped behind the others when they all went for
walks, and sat with locked hands and her cheek against his shoulder
in the stifling, thrilling darkness of the picture theatre, watching
together the representation of a love that was never anything but the
reflection of their own, the eternal triumph of a Man and a Woman, pale
representatives on the screen of Elsie Williams and Leslie Morrison.
The golden fortnight drew to its close, and with the end of the Torquay
holiday, it suddenly seemed to Elsie as though the end of the world
must come.
“What are we to do, Leslie?” she gasped.
“I don’t know, darling,” he said miserably.
“You’re going to be in town for a bit?”
“For a little while. They’re sending me off again, pretty soon--abroad
this time.”
“I can’t live without seeing you sometimes. Oh, Les, how can I go back
to the old life with Horace after _this_?”
“Elsie,” said Morrison very low, “would he divorce you if----?”
“Not a hope. It costs money, and he’s too mean. Besides, he’d never do
it if he thought I wanted it. He’s cruel, is Horace.”
“Not to you?”
Public-domain text, read in full here on John Shaqi.
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