Messengers of Evil: Being a Further Account of the Lures and Devices of FantômasSouvestre, Pierre
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Messengers of Evil: Being a Further Account of the Lures and Devices of Fantômas
Souvestre, Pierre
Detective and mystery stories; Fantômas (Fictitious character) -- Fiction
"Be logical, messieurs, I beg of you!" he cried. "The Baroness de
Vibray committed suicide. Her letter states her intention. The
authenticity of this letter has not been disputed. The disastrous
revelations, contained in Messieurs Barbey-Nanteuil's communication,
proved too severe a shock for the poor lady's unbalanced brain: the news
of her ruin, abruptly conveyed, drove her to desperation. The death of
the Baroness de Vibray was voluntary and self-inflicted."
There was a dead silence. Then Monsieur Barbey asked a question.
"Well, then, Monsieur Fandor, will you explain to us how it happened
that the Baroness de Vibray was found dead in the studio of the painter,
Jacques Dollon?"
Fandor seemed to expect this question from the banker.
"There are two hypotheses," he declared. "The first, and, in my humble
opinion, the more improbable, is this: Madame de Vibray at the same time
that she decided to put an end to her life, wished to pay her protege a
last visit; all the more so, because he had asked her to come and see
his work before it was sent in to the Salon. Perhaps the Baroness
intended to perform an act of charity, in this instance, before her
supreme hour struck. Perhaps she miscalculated the effect of the poison
she had taken, and so died in the house of the friend she had come to
see and help: her death there could not have been her choice, for she
must have known what serious trouble it would involve the artist in,
were her dead body found in his studio.
"Here is the second hypothesis, which seems the more plausible. The
Baroness de Vibray learns that she is ruined, she decides to die, and by
chance or coincidence, which remains to be explained, for I have not the
key to it yet, some third parties interested in her fate, learn her
decision. They let her write to her lawyer; they do not prevent her
poisoning herself; but, as soon as she is dead, they straightway take
possession of her dead body and hasten to carry it to Jacques Dollon's
studio. To the painter himself they administered either with his consent
or by force--probably by force--a powerful narcotic, so that when the
police are called in next day they not only find the Baroness lying dead
in the studio, but they also find the painter unconscious, close by his
visitor. When Jacques Dollon is restored to consciousness, he is quite
unable to give any sort of explanation of the tragedy; naturally enough,
the police look upon him as the murderer of her who was well known to
have been his patroness.... How does that strike you?"
It was now Monsieur Fuselier's turn to hold forth.
Public-domain text, read in full here on John Shaqi.
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