He jerked himself up and stood on sawn-through ankles. His eyes sought
for doors: There was one door. He stumbled up to it. The door was
closed, was latchless, would not open.
His brain commanded him: Don’t be surprised at anything.... Don’t let
anything startle you.... Think....
Over there, there was a window. It had no frame. It was a pane of glass
set into stone. The street lay before it—one of the great streets of
the great Metropolis, seething with human beings.
The glass window-pane must be very thick. Not the least sound entered
the room in which Freder was captive, though the street was so near.
Freder’s hands fumbled across the pane. A penetrating coldness streamed
out of the glass, the smoothness of which was reminiscent of the
sucking sharpness of a steel blade. Freder’s finger tips glided towards
the setting of the pane ... and remained, crooked, hanging in the air,
as though bewitched. He saw: Down there, below, Maria was crossing the
street....
Leaving the house which held him captive, she turned her back on him
and walked with light, hurried step towards the Maelstrom, which the
street was....
Freder’s fists smote against the pane. He cried the girl’s name. He
yelled: “Maria...!” She must hear him. It was impossible that she did
not hear him. Regardless of his raw knuckles he banged with his fists
against the pane.
But Maria did not hear him. She did not turn her head around. With her
gentle but hurried step she submerged herself in the surf of people as
though into her very familiar element.
Freder leaped for the door. He heaved with his whole body, with his
shoulders, his knees, against the door. He no longer shouted. His mouth
was gaping open. His breath burnt his lips grey. He sprang back to
the window. There, outside, hardly ten paces from the window, stood
a policeman, his face turned towards Rotwang’s house. The man’s face
registered absolute nonchalance. Nothing seemed to be farther from his
mind than to watch the magician’s house. But the man who was striving,
with bleeding fists, to shatter a window pane in his house could not
have escaped even his most casual glance.
Freder paused. He stared at the policeman’s face with an unreasoning
hatred, born of fear of losing time where there was no time to be lost.
He turned around and snatched up the rude foot-stool, which stood near
the table. He dashed the foot-stool with full force at the window pane.
The rebound jerked him backwards. The pane was undamaged.
Sobbing fury welled up in Freder’s throat. He swung the foot-stool and
hurled it at the door. The foot-stool crashed to earth. Freder dashed
to it, snatched it up and struck and struck, again and again, at the
booming door, in a ruddy, blind desire to destroy.
Wood splintered, white. The door shrieked like a living thing. Freder
did not pause. To the rhythm of his own boiling blood, he beat against
the door until it broke, quivering.
Public-domain text, read in full here on John Shaqi.
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