Mexican archæology : $b an introduction to the archæology of the Mexican and Mayan civilizations of pre-Spanish AmericaJoyce, Thomas Athol
History
Mexican archæology : $b an introduction to the archæology of the Mexican and Mayan civilizations of pre-Spanish America
Joyce, Thomas Athol
Mayas -- Antiquities; Mexico -- Antiquities
In working stone, stone tools were alone employed, copper being quite
unsuitable for the purpose. Of smaller works of art attention may be
called to the specimens shown in Pl. XI, 3 and 4, which are carved in
jadeite or some analogous material. The small seated figures in Fig.
22, and the carved plate in Pl. XI, 4, are particularly characteristic
of Oaxaca. Fine alabaster vases were manufactured, especially in the
Totonac country around Vera Cruz, the interiors being laboriously
drilled out by means of a tubular drill, probably of bone or bamboo, a
practice also followed by ancient Egyptian lapidaries. Small mirrors,
with a convex surface to reduce the image, were made from nodules
of pyrites, and beads and pendants of all descriptions manufactured
from jadeite and other translucent stones. Fine green jadeite, called
chalchiuitl, was highly prized, and its use was allowed only to persons
of high rank. Ornaments of this material were given by Montecuzoma
to Cortés for transmission to the Emperor, and Diaz quotes his words
as follows: “I will also give you some very valuable stones ...
chalchihuites ... not to be given to anyone else, but only to him,
your great Prince.” Bead necklaces of this stone formed an important
item of tribute from certain subject cities (Fig. 18, _c_; p.
118). In producing the smaller works of art from crystal, jadeite
and amethyst, flint, and sometimes copper, points were used for
engraving and drilling, emery was employed in rubbing down, and small
articles were set in wood for polishing. Heliotrope, being very hard,
was set in stone. The stone-workers of Xochimilco and Tenayocan
enjoyed a particularly high reputation. The most gorgeous works of
the lapidary’s art were the mosaics, of which two are shown on Pls.
=I= and =XVIII=, 1. In the first, fragments of turquoise
and jet are laid in a resinous matrix on a human skull; the eyes are
pyrites encircled with shell rings, and the nose is inlaid with plates
of pink shell (pink shells also formed an article of tribute, see Fig.
18, _e_; p. 118). Some of the teeth have been reset in their
wrong places. The knife-handle is similarly incrusted with turquoise,
malachite and shell. Masks of the gods, head-pieces and ornaments
were made in the same materials on wood foundations, and the masks of
Quetzalcoatl, Tlaloc and Tezcatlipoca were among the articles sent by
Cortés to the Emperor Charles. The Tarascans were especially famed as
mosaic workers, and the art extended right up into Arizona, though not
in such perfection. It is thought that the turquoise itself passed in
trade southwards from the deposits at Los Cerrillos in New Mexico. The
Toltec were reputed to have been particularly skilful lapidaries, and
to have possessed peculiar powers in the way of discovering deposits
of precious stones. For this purpose, so it was said, they would take
up their position on some elevated spot just before dawn, and at the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account