Mexico and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Mexicans, and the Development and Resources of Their CountryWinter, Nevin O. (Nevin Otto)
History
Mexico and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Mexicans, and the Development and Resources of Their Country
Winter, Nevin O. (Nevin Otto)
Mexico; National characteristics, Mexican
An American will not soon forget the first sight of the full
amphitheatre. The scene is an exciting one and there is a tension of
the nerves in anticipation of what is to come. The bands play and, if
there is any delay, the thousands of impatient spectators will shout and
yell themselves hoarse. There is usually a cheer when the president for
the occasion and his companions take their seats. At length the gates
opposite the president are opened and a gaily caparisoned horseman,
called the _alguacil_, appears. He asks permission to kill the bulls.
This being granted, the president tosses him the key to the bull-pen,
which he catches in his hat. He is cheered if he does catch it and hissed
if he fails. The gate opens again and the gay company of bull-fighters is
announced by the blast of trumpets. These men arrayed in costumes of red,
yellow, green and blue silks, satins and velvets, glittering with beads,
jewels and gold braid, form a brilliant spectacle as they march across
the arena to salute the president, after the manner of the gladiators of
old. Every one taking part in this exhibition appears in this procession,
from the _matador_ to the men with wheelbarrows and shovels who clean up
the arena after each performance. I said all, but the principal character
himself is reserved until later. After saluting the president the company
march around the ring to receive the plaudits of the people.
The bull-fight is a tragedy in three acts. After the company have
withdrawn, the door through which the bull enters is unlocked and the
first act begins with a flourish of trumpets. The bull rushes out from a
dark stall into the dazzling light, furious with rage and trembling in
every limb. This is an intense moment and all eyes are centred upon the
newcomer. As he enters, a barbed steel hook covered with flowing ribbons
is placed in his shoulder. The ribbons indicate the ranch or _hacienda_
from whence he came. Even the street urchins can recognize the colours of
a _hacienda_ which has the reputation of producing animals that are noted
for their belligerent qualities.
Startled by the intense light and enraged by the stinging of the steel
hook, the bull stands for an instant recovering his senses. Sometimes he
will paw the earth, toss the dust over his back and bellow his defiance.
Around him in the ring are the _capeadores_, men on foot carrying red
capes, and _picadores_, men on horses armed with lances. These latter
sit motionless as statues upon their steeds that are blindfolded ready
for the sacrifice.
Public-domain text, read in full here on John Shaqi.
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