Mexico and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Mexicans, and the Development and Resources of Their CountryWinter, Nevin O. (Nevin Otto)
History
Mexico and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Mexicans, and the Development and Resources of Their Country
Winter, Nevin O. (Nevin Otto)
Mexico; National characteristics, Mexican
The trumpet sounds the last act. This is the duel,—the death. Everything
has been done with reference to this act. The first two acts have been
intended to madden the animal and tire him by the violent exercise and
loss of blood. He is panting, his sides heave as though they would burst,
his neck is one mass of blood over which, as if in mockery, hang the
many-hued darts. The man with the sword would not stand much show with
a fresh and unwearied animal. This actor is the _matador_, or _espada_,
and, if known as one who kills his bulls with a single stroke of the
sword, he will receive great applause on entering. He steps forward to
the president’s box and makes a little speech, offering to kill the bull
to the honour of Mexico. Throwing his hat to some one in the seats,
(for it is considered an honour to hold any of his apparel) the hero
advances sword in hand toward the bull, who, during this by-play, has
been entertained by the cape-bearers again. He bears in his left hand a
staff, called the _muleta_, over which is a red flag, and in the right
a keen-edged sword. The flag serves both as a lure to the beast and a
protection to the man. He is usually pale and always alert, and studies
the animal for a moment to ascertain his disposition. This can not be
prolonged for the audience will not brook delay. The tension of nerves is
too great. As the bull makes a rush for the red flag, with head lowered,
the _matador_ plunges the keen blade into the bull’s shoulders up to the
hilt. The bull staggers and dies.
It is wonderful to see how excited and enthusiastic the crowd becomes
when the _matador_ has made a skilful killing. They rise and cheer and
wave their handkerchiefs. As he passes around the ring to receive their
applause, a perfect volley of hats, coats, handkerchiefs, and cigars are
thrown toward him. These are tossed back except the cigars or any money
that may have been included. If the killing has been poorly made, or in
a bungling manner, hisses replace cheers and boards or chairs may be
thrown instead of hats and cigars. At a fight in Guatemala City I saw one
_matador_ chased out of the ring, and he did not return again during that
performance. This was done after he had made three unsuccessful attempts
to kill the bull and had plunged two swords into the poor, tortured
animal without striking a vital spot.
Public-domain text, read in full here on John Shaqi.
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