Mexico: Its Ancient and Modern Civilisation, History, Political Conditions, Topography, Natural Resources, Industries and General DevelopmentEnock, C. Reginald (Charles Reginald)
History
Mexico: Its Ancient and Modern Civilisation, History, Political Conditions, Topography, Natural Resources, Industries and General Development
Enock, C. Reginald (Charles Reginald)
Mexico
into the prostrate carcase ere it is dragged away. This is sport!
[Illustration: BULL-FIGHT IN THE CITY OF MEXICO, SHOWING THE SPECTATORS
OF THE "SOL," THE PICADORES, AND THE ENTERING BULL.]
But perhaps the bull himself is faint-hearted! Then, indeed, the noble
Spanish blood of the audience is aroused to fever pitch. "_Otro toro!
Otro toro_"--"Another bull! bring another bull!"--rises from a thousand
throats. Otherwise the other acts of the performance take their course,
and the _banderilleros_, bull-fighters armed with short gaudily
decorated spears with barbed points, come on. Some "pretty" play now
ensues, the _banderilleros_ constantly facing the bull at arm's length
with the object of gracefully sticking the spears or _banderillas_ in
the neck of the animal, where, if successful, they hang dangling as,
smarting with the pain, the bull tears round the arena, to the
accompaniment of the delighted roar of the crowd. This scene is
repeated again and again, until perhaps several pairs of _banderillas_
are depending from the shoulders of the maddened animal. The
_capeadores_ have not been idle, and the bull, repeatedly charging them
and meeting only the empty flapping of the _capas_--the scarlet cloaks
which the bull-fighters charged with this office wield--works himself
into a paroxysm of rage, which must be seen to be understood.
Oftentimes the _capeadores_ are severely injured; sometimes killed in
the act by a terrific stroke of the bull's horns.
But hark! once more a bugle-call, strong and sonorous, from the judges'
box; the well-known notes which call the _espada_ to his task; the last
act in the drama--for drama it is. The _espada_ is the most famous
bull-fighter of all. His salary is a princely one; his reputation
extends over two continents, from Old Madrid to Old Mexico. He is the
great star in all that richly-dressed galaxy of _toreros_--for their
gorgeous silver and gold spangled attire baffles description--and all
his _companeros_ are but lesser lights, paling before his name and
powers. And now the band, which has hitherto sent forth joyous music,
plays a sad and mournful air. The _espada_ takes the sword from an
attendant and examines and curves it with critical and expert eye.
Then, taking off his gold and silver-embroidered cocked-hat, he bows
low towards the judges and to the fair ladies of the _sombra_; and in
fitting phrase "dedicates" the stroke he is about to perform to them.
Or otherwise, with his hand upon his heart, he turns towards the
occupants of the _sol_, and again bowing low dedicates the coming
stroke and the doomed bull thus: "_Al Querido Pueblo!_"--"To the
beloved people"! A hush falls upon the great assembly: a pin might be
heard to drop: the bull, who during these preliminaries--somewhat
fatigued but full of life and anger--has been standing in the arena
with his attention diverted by the _capeadores_, is now left to face
his doom at the hands of the expert _espada_. Bull and man slowly
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account