Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734Doyle, Arthur Conan
History
Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734
Doyle, Arthur Conan
Grandparent and child -- Fiction; Great Britain -- History -- Stuarts, 1603-1714 -- Fiction
‘None,’ Saxon answered. ‘We left the Blue Guards at Salisbury, however,
and we saw either them or some other horse regiment near this side of
the Plain at the village of Mere.’
‘Ah, there is a gathering of the eagles,’ cried Master Joshua Pettigrue,
shaking his head. ‘They are men of fine raiment, with war-horses and
chariots and trappings, like the Assyrians of old, yet shall the angel
of the Lord breathe upon them in the night. Yea, He shall cut them off
utterly in His wrath, and they shall be destroyed.’
‘Amen! Amen!’ cried as many of the peasants as were within earshot.
‘They have elevated their horn, Master Pettigrue,’ said the
grizzly-haired Puritan. ‘They have set up their candlestick on high--the
candlestick of a perverse ritual and of an idolatrous service. Shall it
not be dashed down by the hands of the righteous?’
‘Lo, this same candle waxed big and burned sooty, even as an offence to
the nostrils, in the days of our fathers,’ cried a burly red-faced man,
whose dress proclaimed him to be one of the yeoman class. ‘So was it
when Old Noll did get his snuffing shears to work upon it. It is a wick
which can only be trimmed by the sword of the faithful.’ A grim laugh
from the whole party proclaimed their appreciation of the pious waggery
of their companion.
‘Ah, Brother Sandcroft,’ cried the pastor, ‘there is much sweetness and
manna hidden in thy conversation. But the way is long and dreary. Shall
we not lighten it by a song of praise? Where is Brother Thistlethwaite,
whose voice is as the cymbal, the tabor, and the dulcimer?’
‘Lo, most pious Master Pettigrue,’ said Saxon, ‘I have myself at times
ventured to lift up my voice before the Lord.’ Without any further
apology he broke out in stentorian tones into the following hymn, the
refrain of which was caught up by pastor and congregation.
The Lord He is a morion
That guards me from all wound;
The Lord He is a coat of mail
That circles me all round.
Who then fears to draw the sword,
And fight the battle of the Lord?
The Lord He is the buckler true
That swings on my left arm;
The Lord He is the plate of proof
That shieldeth me from harm.
Who then fears to draw the sword,
And fight the battle of the Lord?
Who then dreads the violent,
Or fears the man of pride?
Or shall I flee from two or three
If He be by my side?
Who then fears to draw the sword,
And fight the battle of the Lord!
My faith is like a citadel
Girt round with moat and wall,
No mine, or sap, or breach, or gap
Can ere prevail at all.
Who then fears to draw the sword,
And fight the battle of the Lord?
Saxon ceased, but the Reverend Joshua Pettigrue waved his long arms and
repeated the refrain, which was taken up again and again by the long
column of marching peasants.
Public-domain text, read in full here on John Shaqi.
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