Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734Doyle, Arthur Conan
History
Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734
Doyle, Arthur Conan
Grandparent and child -- Fiction; Great Britain -- History -- Stuarts, 1603-1714 -- Fiction
Whilst this conversation had been proceeding we had been walking our
horses down the winding track which leads along the eastern slope of
Taunton Deane. For some time past we had been able to see in the valley
beneath us the lights of Taunton town and the long silver strip of
the river Tone. The moon was shining brightly in a cloudless heaven,
throwing a still and peaceful radiance over the fairest and richest of
English valleys. Lordly manorial houses, pinnacled towers, clusters of
nestling thatch-roofed cottages, broad silent stretches of cornland,
dark groves with the glint of lamp-lit windows shining from their
recesses--it all lay around us like the shadowy, voiceless landscapes
which stretch before us in our dreams. So calm and so beautiful was the
scene that we reined up our horses at the bend of the pathway, the tired
and footsore peasants came to a halt, while even the wounded raised
themselves in the waggon in order to feast their eyes upon this land of
promise. Suddenly, in the stillness, a strong fervent voice was heard
calling upon the source of all life to guard and preserve that which
He had created. It was Joshua Pettigrue, who had flung himself upon his
knees, and who, while asking for future guidance, was returning thanks
for the safe deliverance which his flock had experienced from the many
perils which had beset them upon their journey. I would, my children,
that I had one of those magic crystals of which we have read, that I
might show you that scene. The dark figures of the horsemen, the grave,
earnest bearing of the rustics as they knelt in prayer or leaned upon
their rude weapons, the half-cowed, half-sneering expression of the
captive dragoons, the line of white pain-drawn faces that peeped
over the side of the waggon, and the chorus of groans, cries, and
ejaculations which broke in upon the steady earnest voice of the pastor.
Above us the brilliant heavens, beneath us the beautiful sloping valley,
stretching away in the white moonlight as far as the eye could reach.
Could I but paint such a scene with the brush of a Verrio or Laguerre, I
should have no need to describe it in these halting and feeble words.
Master Pettigrue had concluded his thanksgiving, and was in the act of
rising to his feet, when the musical peal of a bell rose up from the
sleeping town before us. For a minute or more it rose and fell in its
sweet clear cadence. Then a second with a deeper, harsher note joined
in, and then a third, until he air was filled with the merry jangling.
At the same time a buzz of shouting or huzzaing could be heard, which
increased and spread until it swelled into a mighty uproar. Lights
flashed in the windows, drums beat, and the whole place was astir. These
sudden signs of rejoicing coming at the heels of the minister’s prayer
were seized upon as a happy omen by the superstitious peasants, who set
up a glad cry, and pushing onwards were soon within the outskirts of the
town.
Public-domain text, read in full here on John Shaqi.
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