Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734Doyle, Arthur Conan
History
Micah Clarke: His Statement as made to his three grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734
Doyle, Arthur Conan
Grandparent and child -- Fiction; Great Britain -- History -- Stuarts, 1603-1714 -- Fiction
As we approached this lonely gibbet we saw that a dried-up wisp of a
thing which could hardly be recognised as having once been a human being
was dangling from the centre of it. This wretched relic of mortality
was secured to the cross-bar by an iron chain, and flapped drearily
backwards and forwards in the summer breeze. We had pulled up our
horses, and were gazing in silence at this sign-post of death, when what
had seemed to us to be a bundle of rags thrown down at the foot of the
gallows began suddenly to move, and turned towards us the wizened face
of an aged woman, so marked with evil passions and so malignant in its
expression that it inspired us with even more horror than the unclean
thing which dangled above her head.
‘Gott in Himmel!’ cried Saxon, ‘it is ever thus! A gibbet draws witches
as a magnet draws needles. All the hexerei of the country side will sit
round one, like cats round a milk-pail. Beware of her! she hath the evil
eye!’
‘Poor soul! It is the evil stomach that she hath,’ said Reuben, walking
his horse up to her. ‘Whoever saw such a bag of bones! I warrant that
she is pining away for want of a crust of bread.’
The creature whined, and thrust out two skinny claws to grab the piece
of silver which our friend had thrown down to her. Her fierce dark
eyes and beak-like nose, with the gaunt bones over which the yellow
parchment-like skin was stretched tightly, gave her a fear-inspiring
aspect, like some foul bird of prey, or one of those vampires of whom
the story-tellers write.
‘What use is money in the wilderness?’ I remarked; ‘she cannot feed
herself upon a silver piece.’
She tied the coin hurriedly into the corner of her rags, as though she
feared that I might try to wrest it from her. ‘It will buy bread,’ she
croaked.
‘But who is there to sell it, good mistress?’ I asked.
‘They sell it at Fovant, and they sell it at Hindon,’ she answered. ‘I
bide here o’ days, but I travel at night.’
‘I warrant she does, and on a broomstick,’ quoth Saxon; ‘but tell us,
mother, who is it who hangs above your head?’
‘It is he who slew my youngest born,’ cried the old woman, casting a
malignant look at the mummy above her, and shaking a clenched hand at it
which was hardly more fleshy than its own. ‘It is he who slew my bonny
boy. Out here upon the wide moor he met him, and he took his young life
from him when no kind hand was near to stop the blow. On that ground
there my lad’s blood was shed, and from that watering hath grown this
goodly gallows-tree with its fine ripe fruit upon it. And here, come
rain, come shine, shall I, his mother, sit while two bones hang together
of the man who slow my heart’s darling.’ She nestled down in her rags
as she spoke, and leaning her chin upon her hands stared up with an
intensity of hatred at the hideous remnant.
‘Come away, Reuben,’ I cried, for the sight was enough to make one
loathe one’s kind. ‘She is a ghoul, not a woman.’
Public-domain text, read in full here on John Shaqi.
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