Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
Sylvia had seen neither mother nor son for a couple of weeks, and her
eyes coming fresh to them noticed much change in them both. In Lady
Ashbridge this change, though marked, was indefinable enough: she seemed
to the girl to have somehow gone much further off than she had been
before; she had faded, become indistinct. It was evident that she found,
except when she was talking to Michael, a far greater difficulty in
expressing herself, the channels of communication, as it were, were
getting choked. . . . With Michael, the change was easily stated, he
looked terribly tired, and it was evident that the strain of these weeks
was telling heavily on him. And yet, as Sylvia noticed with a sudden
sense of personal pride in him, not one jot of his patient tenderness
for his mother was abated. Tired as he was, nervous, on edge, whenever
he dealt with her, either talking to her, or watching for any little
attention she might need, his face was alert with love. But she noticed
that when the footman brought in tea, and in arranging the cups let a
spoon slip jangling from its saucer, Michael jumped as if a bomb had
gone off, and under his breath said to the man, “You clumsy fool!”
Little as the incident was, she, knowing Michael’s courtesy and
politeness, found it significant, as bearing on the evidence of his
tired face. Then, next moment his mother said something to him, and
instantly his love transformed and irradiated it.
To-day, more than ever before, Lady Ashbridge seemed to exist only
through him. As Sylvia knew, she had been for the last few weeks
constantly disagreeable to him; but she wondered whether this exacting,
meticulous affection was not harder to bear. Yet Michael, in spite of
the nervous strain which now showed itself so clearly, seemed to find no
difficulty at all in responding to it. It might have worn his nerves to
tatters, but the tenderness and love of him passed unhampered through
the frayed communications, for it was he himself who was brought into
play. It was of that Michael, now more and more triumphantly revealed,
that Sylvia felt so proud, as if he had been a possession, an
achievement wholly personal to her. He was her Michael--it was just that
which was becoming evident, since nothing else would account for her
claim of him, unconsciously whispered by herself to herself.
It was not long before Lady Ashbridge’s nurse appeared, to take her
upstairs to rest. At that her patient became suddenly and unaccountably
agitated: all the happy content of the day was wiped off her mind. She
clung to Michael.
“No, no, Michael,” she said, “they mustn’t take me away. I know they are
going to take me away from you altogether. You mustn’t leave me.”
Nurse Baker came towards her.
“Now, my lady, you mustn’t behave like that,” she said. “You know you
are only going upstairs to rest as usual before dinner. You will see
Lord Comber again then.”
She shrank from her, shielding herself behind Michael’s shoulder.
Public-domain text, read in full here on John Shaqi.
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