Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
“But what am I to do about it, Michael?” she asked. “Oh, I blush when
I think of a conversation I had with Hermann about you, just before
Christmas, when I knew you were going to propose to me. I said that I
could never give up my singing. Can you picture the self-importance of
that? Why, it doesn’t seem to me to matter two straws whether I do
or not. Naturally, I don’t want to earn my living by it any more, but
whether I sing or not doesn’t matter. And even as the words are in my
mouth I try to imagine myself not singing any more, and I can’t. It’s
become part of me, and while I blush to think of what I said to Hermann,
I wonder whether it’s not true.”
She came and sat down by him again.
“I believe you have got enough artistic instinct to understand that,
Michael,” she said, “and to know what a tremendous help it is to one’s
art to be a professional, and to be judged seriously. I suppose that,
ideally, if one loves music as I do one ought to be able to do one’s
very best, whether one is singing professionally or not, but it
is hardly possible. Why, the whole difference between amateurs and
professionals is that amateurs sing charmingly and professionals just
sing. Only they sing as well as they possibly can, not only because they
love it, but because if they don’t they will be dropped on to, and if
they continue not singing their best, will lose their place which they
have so hardly won. I can see myself, perhaps, not singing at all,
literally never opening my lips in song again, but I can’t see myself
coming down to the Drill Hall at Brixton, extremely beautifully
dressed, with rows of pearls, and arriving rather late, and just singing
charmingly. It’s such a spur to know that serious musicians judge one’s
performance by the highest possible standard. It’s so relaxing to think
that one can easily sing well enough, that one can delight ninety-nine
hundredths of the audience without any real effort. I could sing ‘The
Lost Chord’ and move the whole Drill Hall at Brixton to tears. But there
might be one man there who knew, you or Hermann or some other, and at
the end he would just shrug his shoulders ever so slightly, and I would
wish I had never been born.”
She paused a moment.
“I’ll not sing any more at all, ever,” she said, “or I must sing to
those who will take me seriously and judge me ruthlessly. To sing just
well enough to please isn’t possible. I’ll do either you like.”
Mrs. Falbe strayed in at this moment with her finger in her book, but
otherwise as purposeless as a wandering mist.
“I was afraid it might be going to get chilly,” she remarked. “After a
hot day there is often a cool evening. Will you stop and dine, Lord--I
mean, Michael?”
“Please; certainly!” said Michael.
“Then I hope there will be something for you to eat. Sylvia, is there
something to eat? No doubt you will see to that, darling. I shall just
rest upstairs for a little before dinner, and perhaps finish my book. So
pleased you are stopping.”
Public-domain text, read in full here on John Shaqi.
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