Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
He turned and drove back to his rooms in Half Moon Street, feeling that
strange craving for loneliness that shuns any companionship. He must,
for a little, sit alone with the fact, face it, adjust himself to it.
Till that moment when the dancing print grew still again he had not, in
all the anxiety and suspense of those days, thought of Francis’s death
as a possibility even. He had heard from him only two mornings before,
in a letter thoroughly characteristic that saw, as Francis always saw,
the pleasant and agreeable side of things. Washing, he had announced,
was a delusion; after a week without it you began to wonder why you had
ever made a habit of it. . . . They had had a lot of marching, always
in the wrong direction, but everyone knew that would soon be over. . . .
Wasn’t London very beastly in August? . . . Would Michael see if he
could get some proper cigarettes out to him? Here there was nothing but
little black French affairs (and not many of them) which tied a knot in
the throat of the smoker. . . . And now Francis, with all his gaiety
and his affection, and his light pleasant dealings with life, lay dead
somewhere on the sunny plains of France, killed in action by shell
or bullet in the midst of his youth and strength and joy in life, to
gratify the damned dreams of the man who had been the honoured guest
at Ashbridge, and those who had advised and flattered and at the end
perhaps just used him as their dupe. To their insensate greed and
swollen-headed lust for world-power was this hecatomb of sweet and
pleasant lives offered, and in their onward course through the vines
and corn of France they waded through the blood of the slain whose only
crime was that they had dared to oppose the will of Germany, as voiced
by the War Lord. And as milestones along the way they had come were set
the records of their infamy, in rapine and ruthless slaughter of the
innocent. Just at first, as he sat alone in his room, Michael but
contemplated images that seemed to form in his mind without his
volition, and, emotion-numb from the shock, they seemed external to
him. Sometimes he had a vision of Francis lying without mark or wound or
violence on him in some vineyard on the hill-side, with face as quiet
as in sleep turned towards a moonlit sky. Then came another picture, and
Francis was walking across the terrace at Ashbridge with his gun
over his shoulder, towards Lord Ashbridge and the Emperor, who stood
together, just as Michael had seen the three of them when they came
in from the shooting-party. As Francis came near, the Emperor put a
cartridge into his gun and shot him. . . . Yes, that was it: that was
what had happened. The marvellous peacemaker of Europe, the fire-engine
who, as Hermann had said, was ready to put out all conflagrations,
the fatuous mountebank who pretended to be a friend to England, who
conducted his own balderdash which he called music, had changed his role
and shown his black heart and was out to kill.
Public-domain text, read in full here on John Shaqi.
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