Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
“Ah, but don’t let him know I called him Michael,” said Sylvia in some
horror. “There is nothing so awful as to speak of people formally to
their faces, and intimately behind their backs. But Hermann is always
talking of him as Michael.”
“And Michael always seems--”
“Oh, yes; he always seems to me to have been part of us, of Hermann and
me, for years. He’s THERE, if you know what I mean, and so few people
are there. They walk about your life, and go in and out, so to speak,
but Michael stops. I suppose it’s because he is so natural.”
Aunt Barbara had been a diplomatist long before her husband, and fearful
of appearing inquisitive about Sylvia’s impression of Michael, which she
really wanted to inquire into, instantly changed the subject.
“Ah, everybody who has got definite things to do is natural,” she said.
“It is only the idle people who have leisure to look at themselves in
the glass and pose. And I feel sure that you have definite things to do
and plenty of them, my dear. What are they?”
“Oh, I sing a little,” said Sylvia.
“That is the first unnatural thing you have said. I somehow feel that
you sing a great deal.”
Aunt Barbara suddenly got up.
“My dear, you are not THE Miss Falbe, are you, who drove London crazy
with delight last summer. Don’t tell me you are THE Miss Falbe?”
Sylvia laughed.
“Do you know, I’m afraid I must be,” she said. “Isn’t it dreadful to
have to say that after your description?”
Aunt Barbara sat down again, in a sort of calm despair.
“If there are any more shocks coming for me to-night,” she said, “I
think I had better go home. I have encountered a perfectly new nephew
Michael. I have dressed myself like a suburban housekeeper to meet a
Poiret, so don’t deny it, and having humourously told Michael I wished
to see a prima donna and a pianist, he takes me at my word and produces
THE Miss Falbe. I’m glad I knew that in time; I should infallibly have
asked you to sing, and if you had done so--you are probably good-natured
enough to have done even that--I should have given the drawing-room
gasp at the end, and told your brother that I thought you sang very
prettily.”
Sylvia laughed.
“But really it wasn’t my fault, Lady Barbara,” she said. “When we met I
couldn’t have said, ‘Beware! I am THE Miss Falbe.’”
“No, my dear; but I think you ought, somehow, to have conveyed the
impression that you were a tremendous swell. You didn’t. I have been
thinking of you as a charming girl, and nothing more.”
“But that’s quite good enough for me,” said Sylvia.
The two young men joined them after this, and Hermann speedily became
engrossed in reading the finished Variations. Some of these pleased him
mightily; one he altogether demurred to.
“It’s just a crib, Mike,” he said. “The critics would say I had
forgotten it, and put in instead what I could remember of a variation
out of the Handel theme. That next one’s, oh, great fun. But I wish
you would remember that we all haven’t got great orang-outang paws like
you.”
Public-domain text, read in full here on John Shaqi.
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