City and town life -- Fiction; Didactic fiction; Indiana -- Fiction; Orphans -- Fiction
When nothing further was to be accomplished there, they returned to
Multiopolis to hasten preparations for the coming day. It was all so
good Leslie stopped at her father's office and poured a flood of
cloverbloom, bird notes and water shimmer into his willing ears.
She seldom went to Douglas Bruce's offices, but she ran up a few
moments to try in person to ease what she felt would be disappointment
in not spending the evening with her. The day would be full far into
the night with affairs at home, he would notice the closing of the
house, and she could not risk him spoiling her plans by finding out
what they were, before she was ready. She found him surrounded with
huge ledgers, delving and already fretting for Mickey. She stood
laughing in his doorway, half piqued to find him so absorbed in his
work, and so full of the boy he was missing, that he seemed to take her
news that she was too busy to see him that night with quite too
bearable calmness; but his earnestness about coming the following night
worked his pardon, so Leslie left laughing to herself over the surprise
in store for him.
Bruce bent over his work, praying for Mickey. Everything went wrong
without him. He was enough irritated by the boy who was not Mickey,
that when the boy who was Mickey came to his door, he was delighted to
see him. He wanted to say: "Hello, little friend. Come get in the game,
quickly!" but two considerations withheld him: Mickey's manners were a
trifle too casual; at times they irritated Douglas, and if he took the
boy into his life as he hoped to, he would come into constant contact
with Leslie and her friends, who were cultured people of homing
instincts. Mickey's manners must be polished, and the way to do it was
not to drop to his level, but to improve Mickey. And again, the day
before, he had told Mickey to sit down and wait until an order was
given him. To invite him to "get in the game" now, was good
alliteration; it pleased the formal Scotch ear as did many another
United States phrase of the street, so musical, concise and packed with
meaning as to become almost classic; but in his heart he meant as
Mickey had suspected, "to do him good"; so he must lay his foundations
with care. What he said was a cordial and cheerful, "Good morning!"
"Noon," corrected Mickey. "Right ye are! Good it is! What's my job?
'Scuse me! I won't ask that again!"
"Plenty," Douglas admitted, "but first, any luck with the paper route?"
"All over but killing the boy I sold it to, if he doesn't do right. I
ain't perfectly crazy about him. He's a papa's boy and pretty soft; but
maybe he'll learn. It was a fine chance for me, so I soaked it."
"To whom did you sell, Mickey?" asked Douglas.
"To your driver, for his boy," answered Mickey. "We talked it over last
night. Say, was your driver 'the same continued,' or did you detect
glimmerings of beefsteak and blood in him this morning?"
"Why?" asked Douglas curiously.
Public-domain text, read in full here on John Shaqi.
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