City and town life -- Fiction; Didactic fiction; Indiana -- Fiction; Orphans -- Fiction
On the back of an envelope, Mr. Dovesky was sketching a staff of music
in natural key, setting off measures and filling in notes. As the bird
confused him with repetitions or trills on E or C so high he had to
watch sharply to catch just what it was, his fingers trembled when he
added lines to the staff for the highest notes. For fifteen minutes the
blessed bird sang, and at each rendition of its full strain, it seemed
to grow more intoxicated with its own performance. Finishing the last
notes perfectly, the bird gave a hop, glanced around as if he were
saying: "Now any one who thinks he can surpass that, has my permission
to try." From a bush a small gray bird meouwed in derision and accepted
the challenge. The watchers could not see him, but he came so close
singing the same song that he deceived Mr. Dovesky, for he said: "He's
going to do it over from the bushes now!"
"Listen!" cautioned Malcolm. "Don't you hear the difference? He starts
the same, but he runs higher, he drops lower, and does it quicker, and
I think the notes clearer and sweeter when the little gray fellow sings
them, and you should see his nest! Do you like him better?"
"Humph!" said Mr. Dovesky. "Why I was so entranced with the first
performance I didn't suppose anything could be better. I must have time
to learn both songs, and analyze and compare."
"I can't do gray's yet," said Malcolm. "It's so fine, and cut up, with
going up and down on the jump, but I got the start of it, and the part
that goes this way----"
"This is my work!" cried Mr. Dovesky. "Is there any chance the
apple-tree bird will repeat his performance?"
"Mostly he doesn't till evening," answered Malcolm. "He's pretty sure
to again to-morrow morning, but old cat of the bushes, he sings any
time it suits him all day. His nest isn't where he sings, and he
doesn't ever perch up so high and make such a fuss about it, but I
think mother would like his notes best."
"First," said Mr. Dovesky, "I'll take down what Mr. Brown Bird sang,
and learn it. I'd call that a good start, and when I get his song so I
can whistle, and play it on the instruments, then we'll go at Mr. Cat's
song, and see if I can learn why, and in what way you think it finer."
"Oh, it goes from high to low quicker, more notes in a bunch, and
sweeter tones trilling," explained Malcolm. Mr. Dovesky laughed, saying
in a question of music that would constitute quite a difference. They
went to the brook and lunched and made easy records of syllabic calls
that could be rendered in words and by whistling. Then all of them
gathered around Mr. Dovesky while he drew lines, crossed them with
bands and explained the staff, and different time, and signatures, and
together they had their first music lesson.
Public-domain text, read in full here on John Shaqi.
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