City and town life -- Fiction; Didactic fiction; Indiana -- Fiction; Orphans -- Fiction
Distinctly, through the slowly darkening green, he could see the boy
putting all his heart into the song. James Minturn watched so closely
he was not mistaken in thinking he could see the lad's figure grow
tense as he delivered the notes, and relax when the answer relieved his
anxiety as to whether it would come again, and then gather for another
trial. At the last call the reply came from such a short distance that
Mr. Minturn began intently watching from his shelter to witness the
final triumph of seeing the bird Malcolm had called across the swamp,
come into view. He could see that the boy was growing reckless, for as
he delivered the strain, he stepped almost into the open, watching
before him and slowly going ahead. With the answer, there was a
discernible movement a few yards away. Mr. Minturn saw the boy start,
and gazed at him. With bent body Malcolm stared before him, and then
his father heard his amazed, awed cry: "_Why mother!_ Is that _you_,
mother?"
"_Malcolm! Are you Malcolm?_" came the incredulous answer.
James Minturn was stupefied. Distinctly he could see now. He did not
recognize the knee boots, the outing suit of coarse green material, but
the beautiful pink face slowly paling, the bright waving hair framing
it, he knew very well. Astonishment bound him. Malcolm advanced another
step, still half dazed, and cried: "Why, have I been calling _you?_ I
thought it was the bird I saw, still answering!"
"And I believed you were the Hermit singing!" she said.
"But you fooled the bird," said the boy. "Close here it answered you."
"And near me it called you," said Mrs. Minturn. "Your notes were quite
as perfect."
Malcolm straightened and seemed reassured.
"Why mother!" he exclaimed. "When did you study _bird_ music? Have you
just come back?"
"I've been away only two weeks, Malcolm," she answered, "and if it
hadn't been for learning the bird notes, I'd have returned sooner."
"But where have you _been?_" cried the boy.
"At home. I reserved my suite!" she answered.
"But home's all torn up, and pounding and sick people, and you hate
pounding and sick people," he reminded her.
"There wasn't so very much noise, Malcolm," she said, "and I've changed
about sickness. You have to suffer yourself to do that. Once you learn
how dreadful pain is, you feel only pity for those who endure it. Every
night when the nurses are resting, I change so no one knows me, and
slip into the rooms of the suffering little children who can't sleep,
and try to comfort them."
"Mother, who takes care of _you?_" he questioned.
"A very sensible girl named Susan," she answered.
The boy went a step closer.
"Mother, have you changed about anything besides sickness?" he asked
eagerly.
"Yes Malcolm," said his mother. "I've changed about every single thing
in all this world that I ever said, or did, or loved, when you knew me."
"You have?" he cried in amazement. "Would you wear that dress and come
to the woods with us now, and do some of the things we like?"
Public-domain text, read in full here on John Shaqi.
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