Pole (Cardinal), 83. Poliziano (Angelo), 7, 8, 10, 128. Pollajuolo, 3. Pontormo, 22, 134. Porta (Guglielmo della), 111. Porta Pia, 120-122. Poussin, 153, 154. Pulci, 7. Q Quercia (Jacopo della), 4, 10. R Rachel, 105-107. Raffaellino del Garbo, 23. Raphael, 3, 22, 28, 36, 50, 109, 143, 155, 156. Resurrection of Christ, 85. Riccio (Luigi del), 65, 86, 128, 135. Rossellino (Antonio), 4, 107. Rosso, 22. Rustici, 7. S Sadolet, 83. St. Peter's (construction of), 27. St. Peter (statue), 137. St. Matthew, 18. Salviati, 22. Samaritan woman at the well, 85. San Gallo (Antonio da), 16, 50, 109-111, 122. San Gallo (Aristotele da), 22. San Gallo (Francesco da), 66, 139. San Gallo (Giuliano da), 31, 43, 50. San Lorenzo (façade of), 50-57. San Lorenzo (sacristy of), 59. San Lorenzo (library of), 60, 78. San Lorenzo (chapel of the Medici), 76-78. Santa Maria degli Angeli, 120, 122. San Miniato (defense of), 66-67, 70. Sansovino (Jacopo), 22, 50, 112. Sansovino (Andrea del Monte), 7, 50. Sarto (Andrea del), 22. Satyr (laughing), 8. Savonarola, 8-14. Schongauer (Martin), 4, 5. Sebastiano del Piombo, 58, 70, 87, 111, 128, 134, 150. Serlio (Sebastiano), 66. Signorelli, 14, 23. Sistine chapel (ceiling of), 36-42. Slaves, 47, 49. Soderini, 16, 19. Sodoma, 23. Strozzi (Roberto), 47, 134. T Tasso (Bernardo), 82. Temptation of St. Anthony, 4. Tintoretto, 151, 165. Torrigiani, 7. Tribolo, 78, 165. Tromboncino, 86. U Urbano (Pietro), 58, 131. Urbino, 103, 132, 133. V Valori (Baccio), 71, 75. Varchi, 68, 86, 128. Varj (Metello), 49, 58. Vasari, 20, 78, 101, 111, 128, 139, 140, 153. Venusti (Marcello), 100. Veronese, 99. Verrocchio, 3. Victory, 138, 140. Vignole, 128. Vinci (Lionardo da), 18-22, 24. Virgin of Manchester, 11. Vitruvius, 77. Volterra (Daniele da), 100, 128, 136, 140, 158. W War with Pisa (Cartoon), 18-23. Z Zucchero, 153, 159. THE END FOOTNOTES: [1] Condivi [2] Drawings in the Louvre from the frescoes of Santa Croce. [3] Munich. Drawings from the frescoes of the Carmine. [4] In the collection of the Medici a St. Jerome by Van Eyck was valued at forty ducats, the Giottos and Fra Angelicos at only ten ducats. The Flemings were no less appreciated at Urbino where Justus of Ghent had painted, whose frescoes were copied by Raphael when he was a child, and at Rome where Jan Ruysch, twenty years later, was to work on the Stanze, and throughout the kingdom of Naples--not to mention the great collection of Flemish pictures in the north of Italy, like those of Cardinal Grimani at Venice, and of Cardinal Bembo at Padua. [5] Michelangelo was to receive six florins the first year, eight the second and ten the third. [6] "On the 10th of May, 1508," as he wrote at a later time, "I Michelangelo, _sculptor_, began to work on the paintings of the Sistine Chapel."