So this foiled globe-trotter started on his strange explorations.
To me Koch is a still more weird and uncanny microbe hunter than
Leeuwenhoek, certainly he was just as much of a self-made scientist.
Koch was poor, he had his nose on the grindstone of a medical
practice, all the science he knew was what a common medical course
had taught him--and from this, God knows, he had learned nothing
whatever about the art of doing experiments; he had no apparatus but
Emmy’s birthday present, that beloved microscope--everything else he
had to invent and fashion out of bits of wood and strings and sealing
wax. Worst of all, when he came into the living room from his mice
and microscope to tell Frau Koch about the new strange things he had
discovered, this good lady wrinkled up her nose and told him:
“But, Robert, you smell so!”
Then he hit upon a sure way to give mice the fatal disease of
anthrax. He hadn’t a convenient syringe with which to shoot the
poisonous blood into them, but after sundry cursings and the ruin of
a number of perfectly good mice, he took slivers of wood, cleaned
them carefully, heated them in an oven to kill any chance ordinary
microbes that might be sticking to them. These slivers he dipped
into drops of blood from sheep dead of anthrax, blood filled with
the mysterious, motionless threads and rods, and then--heaven knows
how he managed to hold his wiggling mouse--he made a little cut with
a clean knife at the root of the tail of the mouse, and into this
cut he delicately slid the blood-soaked splinter. He dropped this
mouse into a separate cage and washed his hands and went off in a
kind of conscientious wool-gathering way to see what was wrong with
a sick baby.... “Will that beast, that mouse die of anthrax.... Your
child will be able to go back to school next week, Frau Schmidt....
I hope I didn’t get any of that anthrax blood into that cut on my
finger....” Such was Koch’s life.
And next morning Koch came into his home-made laboratory--to find
the mouse on its back, stiff, its formerly sleek fur standing on end
and its whiteness of yesterday turned into a leaden blue, its legs
sticking up in the air. He heated his knives, fastened the poor dead
creature onto a board, dissected it, opened it down to its liver and
lights, peered into every corner of its carcass. “Yes, this looks
like the inside of an anthrax sheep ... see the spleen, how big, how
black it is ... it almost fills the creature’s body....” Swiftly he
cut with a clean heated knife into this swollen spleen and put a drop
of the blackish ooze from it before his lens....
Public-domain text, read in full here on John Shaqi.
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