Richard Flecknoe, the author of these characters, is more known from having his name affixed to one of the severest satires ever written by Dryden, than from any excellence of his own as a poet or dramatic writer. Mr. Reed conceives him to have been a Jesuit, and Pope terms him an Irish priest. Langbaine says, that "his acquaintance with the nobility was more than with the muses, and he had a greater propensity to rhyming, than a genius to poetry." As a proof of the former assertion the Duke of Newcastle prefixed two copies of verses to his characters, in which he calls Flecknoe "his worthy friend," and says: "Flecknoe, thy characters are so full of wit And fancy, as each word is throng'd with it. Each line's a volume, and who reads would swear Whole libraries were in each character. Nor arrows in a quiver stuck, nor yet Lights in the starry skies are thicker set, Nor quills upon the armed porcupine, Than wit and fancy in this work of thine. W. Newcastle." To confirm the latter, requires only the perusal of his verses, which were published in 1653, under the title of _Miscellania_. Besides these, he wrote five[DV] dramatic pieces, the titles of which may be found in the _Biographia Dramatica_; a collection of _Epigrams_, 8vo. 1670; _Ten Years Travels in Europe.--A short Discourse of the English Stage_, affixed to _Love's Dominion_, 8vo. 1654; _The Idea of his Highness Oliver, late Lord Protector, &c._ 8vo. 1659. &c. &c.[DW] "CHARACTER OF A VALIANT MAN."--(page 61.) "He is onely a man; your coward and rash being but tame and savage beasts. His courage is still the same, and drink cannot make him more valiant, nor danger lesse. His valour is enough to leaven whole armies, he is an army himself worth an army of other men. His sword is not alwayes out like children's daggers, but he is alwayes last in beginning quarrels, though first in ending them. He holds honour (though delicate as chrystall) yet not so slight and brittle to be broak and crackt with every touch; therefore (though most wary of it,) is not querilous nor punctilious. He is never troubled with passion, as knowing no degree beyond clear courage, and is alwayes valiant, but never furious. He is the more gentle i' th' chamber, more fierce he's in the field, holding boast (the coward's valour,) and cruelty (the beast's,) unworthy a valiant man. He is only coward in this, that he dares not do an unhandsome action. In fine, he can onely be evercome by discourtesie, and has but one deffect--he cannot talk much--to recompence which he dos the more." FOOTNOTES: [DT] I omit to particularize these characters, as many of the titles are extremely long--"of a lady of excellent conversation. Of one that is the foyle of good conversation." &c. &c. [DU] Mr. Reed possessed a copy, dated in 1658. See his _Catalogue_, No. 2098.