But notwithstanding this mis-ghessing, I proceeded on with my trial in a dark room, and having two holes near one another, I was able, by placing my Wedges against them, to mix the ting’d Rays that past through them, and fell on a sheet of white Paper held at a convenient distance from them as I pleas’d; so that I could make the Paper appear of what colour I would, by varying the thicknesses of the Wedges, and consequently the tincture of the Rays that past through the two holes, and sometimes also by varying the Paper, that is, insteed of a white Paper, holding a gray, or a black piece of Paper. Whence I experimentally found what I had before imagin’d, that all the varieties of colours imaginable are produc’d from several degrees of these two colours, namely, Yellow and Blue, or the mixture of them with light and darkness, that is, white and black. And all those almost infinite varieties which Limners and Painters are able to make by compounding those several colours they lay on their Shels or _Palads_, are nothing else, but some _compositum_, made up of some one or more, or all of these four. Now, whereas it may here again be objected, that neither can the Reds be made out of the Yellows, added together, or laid on in greater or less quantity, nor can the Yellows be made out of the Reds though laid never so thin; and as for the addition of White or Black, they do nothing but either whiten or darken the colours to which they are added, and not at all make them of any other kind of colour: as for instance, _Vermilion_, by being temper’d with White Lead, does not at all grow more Yellow, but onely there is made a whiter kind of Red. Nor does Yellow _Oker_, though laid never so thick, produce the colour of _Vermilion_, nor though it be temper’d with Black, does it at all make a Red; nay, though it be temper’d with White, it will not afford a fainter kind of Yellow, such as _masticut_, but onely a whiten’d Yellow; nor will the Blues be _diluted_ or deepned after the manner I speak of, as _Indico_ will never afford so fine a Blue as _Ultramarine_ or _Bise_; nor will it, temper’d with _Vermilion_, ever afford a Green, though each of them be never so much temper’d with white. To which I answer, that there is a great difference between _diluting_ a colour and whitening of it; for _diluting_ a colour, is to make the colour’d parts more thin, so that the ting’d light, which is made by trajecting those ting’d bodies, does not receive so deep a tincture; but whitening a colour is onely an intermixing of many clear reflections of light among the same ting’d parts; deepning also, and darkning or blacking a colour, are very different; for deepning a colour, is to make the light pass through a greater quantity of the same tinging body; and darkning or blacking a colour, is onely interposing a multitude of dark or black spots among the same ting’d parts, or placing the colour in a more faint light.