Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
At every gate, at every buttressed window, stand a couple of pages in
crimson dolmans and tightly-fitting, cornflower-blue hose, richly
garnished with silver-embroidered lace.
At the window of the highest donjon sits the castellan, ready to
proclaim the arrival of his liege lord by the blast of a horn. Over his
head the wind is wrestling with a gigantic purple banner, the huge
dependent gold tassels of which it can only raise with difficulty.
Out of all the windows, inquisitive domestics and expectant knights and
dames peep forth, or rather, out of all the windows but three, which
are altogether bare of festal groups, for there nothing is to be seen
but fragrant jasmines and quivering mimosas in snow-white porcelain
vases, behind which one can dimly distinguish a pale and delicate form
leaning dreamily on the embroidered window-cushions. This is Denis
Banfi's wife.
It might have been ten o'clock in the morning when the castellan,
perceiving clouds of dust on the highway, announced the approach of his
Excellency with a blast of his horn, whereupon the roar of the mortars
scared every one into his proper place; the priests and teachers
reviewed their pupils, the officers marshalled their troops, and the
trumpeters on the ramparts played the latest marches.
Shortly afterwards the Lord-Lieutenant arrived, escorted by the banderia
of half-a-dozen counties. Before and behind him trotted squadrons of
horsemen, whose arms and caparisons gleamed with all the colours of the
rainbow. There were to be seen horses of every race and every
hue--Arabian stallions, Transylvanian full-bloods, little Wallachian
ponies, slim English racers, and light-footed Barbary steeds. There were
horses with flesh-coloured manes, jewelled bits, variegated reins, and
embroidered schabracks. There were all the weapons with which the art of
war was then familiar--the slender Damascus blade, the toothed
morning-star, the curved _csakany_,[37] the serpentine crease, and those
long, gorgeously-fashioned fire-arms which could seldom be discharged
more than once; here and there, too, was visible a specimen of those
three-edged, six feet long Turkish scimitars, which were just then
coming into vogue.
[Footnote 37: _Csakany._ An ancient weapon, half hook,
half battle-axe, of Tartar origin.]
Public-domain text, read in full here on John Shaqi.
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