Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
Gradually a thought began to dawn in his benighted soul, and with that
thought the colour returned to his cheeks. Slowly he raised his head,
and this secret thought ripening into a quick resolution, it was as
though a voice within him cried--"Yes! Thither! thither!" His eyes began
to sparkle, he turned his horse's head towards the forest, and
disappeared beneath the thick foliage.
* * * * *
The tempest is raging. The storm snaps the trees. The rain patters down,
and the swollen torrents roar. From time to time fitful lightning
flashes illumine the whole region, and snowy mountain peaks grow dark
and the black sky gleams white--and again the sky darkens and the snowy
peaks shine forth.
The scanty patches of brushwood clinging to the bald rocks are rudely
torn and shaken by the hurricane, and the distant pine forests roar like
the last trump. Every beast crouches trembling in its den and listens to
the storm.
Lofty, inaccessibly steep rocks shut out the horizon, and far, far down
in the vale below, like a toiling ant, we see a horseman struggling
through the pathless wilderness.
God be merciful to him in such a night in such a place!
It is the Devil's Garden!
* * * * *
A gorgeous oriental chamber opens out before us. Round about the walls
gleam hundreds of torches; but the ceiling is so lofty that it is
invisible, the light of the torches never reaches it. Two rows of
columns support the gigantic architrave, slender columns with capitals
in the shape of beasts' heads, as we are wont to see them in ancient
Persian temples. Splendid curtains fill up the interstices of the
columns. Moorish arabesques adorn the walls; the arched portals are
ablaze with gold and malachite. In the centre of the room a lofty red
velvet couch rests on four gold griffins with amethyst eyes. In front of
the couch is a little ivory table, supported by intertwining silver
snakes, and beside the table a golden censer exhales light-blue fragrant
clouds of ambergris and aloes. On the couch reclines a sylph-like girl
with languishing and yet ardent eyes. A string of pearls, dependent from
her neck, draws her light tunic up to her bosom. Her slender form is
girdled round the hips by a gorgeous oriental shawl. Her black locks are
held together by a golden fillet, which encircles her brows, and the
huge diamond clasp of this fillet flashes its myriad blinding rays
amidst her dark tresses, like a rainbow condensed into a star gleaming
through darkest night.
The girl is alone. Everything around her is motionless. We seem to be in
an enchanted fairy palace. Nowhere a sound, a movement.
Who would ever have thought of finding such a magic chamber in the
bowels of the earth, six hundred feet within the solid rock, on the
surface of which the storm is worrying the hardy shrubs and trees?
It is the crypt of the Devil's Garden, and the woman, sylph or demon,
who inhabits it is Azrael.
Public-domain text, read in full here on John Shaqi.
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