Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
The very skirts of this wilderness are uninhabited. One can wander for
hours among the oaks and beeches, towering up one above the other,
without hearing any other sound but one's own footsteps; not a blade of
grass, not a flower, not a shrub can thrive anywhere here. Beneath the
uncleared trees rustle the fallen yellow leaves, peeping up from the
midst of which we perceive the speckled caps of oddly-shaped fungi
clinging in clusters to the mossy tree stems.
Only where the stream dashes down from the mountains, forcing its way
through the valley, does the greensward appear. There, among the
luxuriant grasses, lie the fearless stags; wild bees build their
basket-shaped nests in the hollow trees on the margin of the stream, and
sweep buzzing round the Alpine flowers which dance on the surface of the
water.
That stream is the Rima.
In the dim, dismal distance still higher mountains appear, from which
the stream plunges down in a snow-white torrent. The morning mists
exaggerate the magic remoteness of the scene, and when at last you have
reached the extremest point of that remoteness, it is only to see before
you a still more awful expanse, still more desolate mountain ranges,
forming as it were an immense and uninterrupted ladder up to heaven.
The Rima burrows in every direction among these primeval mountains. She
alone is bold enough to force her way through this wild rocky labyrinth.
Sometimes she plunges down from the granite terraces with a
far-resounding din, dissolving into a white, cloudy spray, in which the
sunbeams paint an eternal rainbow, which spans the velvet-green margins
of the abyss like a fairy bridge. A moss-clad rock projects from the
midst of the waterfall, dividing it into two, and from the moss-clad
rock wild roses look over into the dizzying, tumbling rapids below. Far
away down, the vagrant stream is hemmed in between basalt rocks; the
twofold echo changes its monotonous, muffled roar into melancholy music;
its transparent, crystal waters appear black from the colour of their
stony bed, wherein rosy trout and sprightly water-snakes, like silver
ribbons, disport themselves; then, escaping from its brief constraint,
it dashes onwards from crag to crag, angrily scourging a huge mass of
rock which once, in flood-time, it swept into its bed from a distance of
many miles, and which, after the next thaw or rainfall, it will hurl a
thousand fathoms deeper into the rock-environed valley.
Higher and higher we mount. The oaks and beeches fall behind us; the
pines and firs begin. The horizon opens out ever wider and wider. The
transparent mists which have hitherto veiled the heights are left behind
in the depths. The little green patches of valley are scarcely visible
through the opal atmosphere, and the hilly woodlands have dwindled into
dark specks; only their outlines, gold and lilac in the rays of the
rising sun, are still distinguishable.
Public-domain text, read in full here on John Shaqi.
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