Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
And now begone, thou inhospitable outer world! thou oppressive mountain
panorama! thou desolate horizon!
Appear, ye fairy realms! ye earthly counterfeits of the paradise of
dreams! Permit us one glance into the sanctuary of mysterious joys, of
stifled kisses, of glowing sighs, where Love and Love's satellites alone
do dwell and live!
We see before us a gorgeous circular saloon. Its spacious walls are made
of mirrors, the perpetual reflection of which lends a peculiar lustre to
every object, nowhere suffering a shadow to fall. The sky-blue cupola of
the domed ceiling is supported by slender, dark-red porphyry columns,
half concealed by clusters of exotic flowers, which, heaped profusely
together in rose-coloured porcelain vases, scatter the gold-dust of
their velvet blossoms on the floor. The floor itself is covered with
silk carpets--only here and there does the mosaic pavement shimmer
forth. In the midst of the room, in a basin of rose-coloured marble,
bubbles a crystal-clear fountain, from the centre of which springs a jet
glistening with all the hues of the rainbow, and falling back in showers
of liquid pearls. The water of this fountain is introduced into the
fortress through a secret passage by hidden pipes. All along the walls
extend rows of velvet divans with cylindrical, flowered cashmere
cushions; and on every side of us are fairies, laughing young girls
dancing on the carpets, romping on the divans, and splashing one another
with the water of the fountain. One odalisk swings a cymbal above her
head, and dances with audacious leaps and bounds among the rest, who,
winding their hands together, weave a magic circle around her. Three
Nubian eunuchs accompany the dancers, singing love-lorn lays to the
music of their simple pipes.
The veils of these fairy forms flutter left and right, revealing faces
whose youthful charms no eye of man has ever gazed upon. The patter of
their tiny feet is scarcely audible on the soft carpets. They seem to
fly. Their light muslin robes ill conceal their youthful forms, and
their tresses, escaping from their turbans, writhe down their snow-white
shoulders like tame serpents.
A black slave is playing with the little gold fish that dart about in
the basin of the fountain, and laughs aloud whenever any of the nimble
little animals wriggle out of her hands. Her white, embroidered robe is
held together by a golden girdle, and as she sits there on the rosy
marble, the hemispheres of her ebony-black bosom and her plump round
arms glisten in the sunbeams. The glow of youth shines through her dark
features, and her coral lips, radiant with mirth and joy, allow us a
glimpse at rows of the purest pearly teeth, as, with childish glee, she
laughs at her own simple sport.
Public-domain text, read in full here on John Shaqi.
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