Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
Along the hollow, labyrinthine way which meanders into the Corsar's
castle, the trampling of a troop of horsemen is faintly audible. The
clash of arms resounds from the depths of the wood long before we can
discern who are approaching. Now they have climbed to the mountain
summit where the road runs along the rocky ridge. It is Corsar Beg
himself with his robber band. The booty-laden mules lead the way. The
treasures of pillaged churches gleam forth from the leathern sacks piled
one on the top of the other. In the centre rides the Beg himself, with
his motley body-guard recruited from every kind of Turkish
cavalry--silk-clad Spahis with long lances, bare-armed Baskirs with bows
and arrows, Bedouins in snow-white mantles with long, brass-tipped
muskets. The Beg is a man in the prime of life. His brown, almost black
countenance makes his slight beard and moustaches nearly invisible. His
lips and eyes are large and swollen. His projecting cheek-bones and
broad chin give him a truculent, ferocious air, with which his massive
shoulders and enormous muscular development well agree. His clothing is
tastelessly overladen with gems. A string of pearls goes round his
turban. Large gold rings hang glistening down from his ears. His dolman
is embroidered with a flower-pattern of precious stones, and everything
about his horse, from its hoofs to its snaffle, is of pure gold. His
round shield is made of burnished silver, and the head of his
morning-star consists of a single cornelian.
His troop follows him in silence. Many of the horsemen carry behind them
half-swooning Christian girls on whom they do not bestow a glance. The
garments of all these freebooters are stained with blood; some of them
have not even taken the trouble to wipe away the blood-stains from their
faces.
The mules, whipped by the fellahs, trot noiselessly towards the
fortress; the host ambles after them along the narrow path. The Timariot
infantry straggle behind, and quarrel among themselves about the booty
which they carry on their shoulders. No one pursues them.
* * * * *
The large oval room is empty. The women of the harem have withdrawn into
their own apartments. Azrael is alone.
On quitting her perfumed bath, she has a hammock slung over the
fountain, reclines therein, rocks herself luxuriously to and fro, and
lets her glowing, snow-white limbs be splashed by the water-jet. She
folds her arms across her bosom, and, with a self-complacent smile,
watches the diamond jet break against her lithe body as the swaying
hammock cuts across it with its charming burden.
The red curtains are let down to keep out the rays of sunset, but a
rose-coloured light pervades the room, suffusing every object with a
soft and magic hue. The odalisk appears like a rosy water-nymph swinging
on a bright lotus-leaf over a fountain of liquid rubies.
Public-domain text, read in full here on John Shaqi.
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