Mike was conscious of a feeling of acute depression. It did not make
him in the least degree jubilant, or even thankful, to know that he
himself was cleared of the charge. All he could think of was that
Psmith was done for. This was bound to mean the sack. If Psmith had
painted Sammy, it meant that Psmith had broken out of his house at
night: and it was not likely that the rules about nocturnal wandering
were less strict at Sedleigh than at any other school in the kingdom.
Mike felt, if possible, worse than he had felt when Wyatt had been
caught on a similar occasion. It seemed as if Fate had a special
grudge against his best friends. He did not make friends very quickly
or easily, though he had always had scores of acquaintances--and with
Wyatt and Psmith he had found himself at home from the first moment he
had met them.
He sat there, with a curious feeling of having swallowed a heavy
weight, hardly listening to what Mr. Downing was saying. Mr. Downing
was talking rapidly to the headmaster, who was nodding from time to
time.
Mike took advantage of a pause to get up. “May I go, sir?” he said.
“Certainly, Jackson, certainly,” said the Head. “Oh, and er--, if you
are going back to your house, tell Smith that I should like to see
him.”
“Yes, sir.”
He had reached the door, when again there was a knock.
“Come in,” said the headmaster.
It was Adair.
“Yes, Adair?”
Adair was breathing rather heavily, as if he had been running.
“It was about Sammy--Sampson, sir,” he said, looking at Mr. Downing.
“Ah, we know--. Well, Adair, what did you wish to say.”
“It wasn’t Jackson who did it, sir.”
“No, no, Adair. So Mr. Downing----”
“It was Dunster, sir.”
Terrific sensation! The headmaster gave a sort of strangled yelp of
astonishment. Mr. Downing leaped in his chair. Mike’s eyes opened to
their fullest extent.
“Adair!”
There was almost a wail in the headmaster’s voice. The situation had
suddenly become too much for him. His brain was swimming. That Mike,
despite the evidence against him, should be innocent, was curious,
perhaps, but not particularly startling. But that Adair should inform
him, two minutes after Mr. Downing’s announcement of Psmith’s
confession, that Psmith, too, was guiltless, and that the real
criminal was Dunster--it was this that made him feel that somebody, in
the words of an American author, had played a mean trick on him, and
substituted for his brain a side-order of cauliflower. Why Dunster, of
all people? Dunster, who, he remembered dizzily, had left the school
at Christmas. And why, if Dunster had really painted the dog, had
Psmith asserted that he himself was the culprit? Why--why anything? He
concentrated his mind on Adair as the only person who could save him
from impending brain-fever.
“Adair!”
“Yes, sir?”
“What--_what_ do you mean?”
Public-domain text, read in full here on John Shaqi.
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