Cooper was the son of a Low Church bishop who had gained his mitre by temperance oratory, and what his Lordship was in the cathedral, Cooper was in the suburban drawing-rooms where radical politics and the woman's cause were discussed. When he had a brief he brought it to the library to show it; he almost lived in the library. He arrived the moment it was opened, and brought a packet of sandwiches so as not to waste time going out to lunch. His chambers were furnished without taste, but the works of Comte and Spencer showed that he had attempted to think; and the works of several socialistic writers showed that he had striven to solve the problem of human misery. On the table were several novels by Balzac, which conversation with Harding had led him to purchase and to read. He likewise possessed a few volumes of modern poetry, but he freely confessed that he preferred Pope, Dryden, and Johnson; and it was impossible to bring him to understand that De Quincey was more subtle and suggestive than the author of London. Generally our souls are made of one conspicuous modern mental aspect; but below this aspect we are woven and coloured by the spirit of some preceding century, our chance inheritance, and Cooper was a sort of product of the pedantry of Johnson and the utilitarian mysticism of Comte. Perhaps the idea nearest to Cooper's heart was "the woman's cause." The misery and ignominy of human life had affected him, and he dreamed of the world's regeneration through women; and though well aware that Comte and Spencer advocate the application of experience in all our many mental embarrassments, he failed to reconsider his beliefs in female virtue, although frequently pressed to do so by Mike. Some personal animosity had grown out of their desire to convince each other. Cooper had once even meditated Mike's conversion, and Mike never missed an opportunity of telling some story which he deemed destructive of Cooper's faith. His faith was to him what a microscope is to a scientist, and it enabled him to discover the finest characteristics in the souls of bar-girls, chorus girls, and prostitutes; and even when he fell, and they fell, his belief in their virtue and the nobility of their womanly instincts remained unshaken. Mike had just finished a most racy story concerning his first introduction to a certain countess. Cooper had listened in silence, but when Mike turned at the end of his tale and asked him what he thought of his conduct, Cooper rose from his chair. "I think you behaved like a blackguard." In a moment Mike was aware he had put himself in the wrong--the story about the countess could not be told except to his destruction in any language except his own, and he must therefore forbear to strike Cooper and swallow the insult. "You ass, get out; I can't quarrel with you on such a subject."