Adopted children -- Fiction; American fiction -- 19th century; Dime novels
“Forgive me, Miss Howell. If I keep still any longer I shall be awful
wicked. I or’to have told you who you be long ago, but bein’ I didn’t
I must tell you now. I’ve been hangin’ ’round a good while to see you
alone, but couldn’t. I came to the door a day or two ago and asked for
a drink of water, but that woman with the big black eyes was in the
kitchen, and acted as if she mistrusted I wanted to steal, for she
staid by watching me till I got tired, and went off without seeing you
at all. You know that old hut across the river where there don’t
nobody live. Come there to-morrow just as it is getting dark, and I
will tell you who you be. I know, for I’m the very one that brung you
to the door. You ain’t low-lived, so don’t go to worryin’ about that;
and if you are afraid to come alone, let that Judge come with you, and
stay a little ways off. Now don’t fail to be there, for it is
important for you to know.
“E. B.”
For a time after reading this Mildred sat in a kind of maze. She had
been so happy of late that she had ceased to wonder who she was. Indeed
she scarcely cared to know, particularly if the information must come
through as ignorant a channel as this letter would seem to indicate.
“What ought I to do?” she said, one moment half resolving to keep the
appointment at the deserted hut, as it was called, and the next
shrinking from doing so with an undefinable presentiment that some great
evil would result. “I wish Lawrence was here to go with me,” she
thought, but as that could not be, she determined at last to show the
note to the Judge and ask him his advice.
“What the plague,” exclaimed the Judge, reading the note a second time.
“Somebody knows who you are? Brought you herself in the basket? Ain’t
from a low-lived family? What does the old hag mean? No, no, gipsy. Let
her go to grass. We don’t care who you are. It’s enough that I’ve taken
you for my daughter, and that in little more than three weeks, Lawrence
will take you for his wife. No, no. Let E. B. sit in the deserted hut
till she’s sick of it.”
And this he said because he, too, experienced a most unaccountable
sensation of dread, as if a cloud were hovering over Mildred, darker,
far darker than the one from under which she had so recently passed.
“But,” persisted Mildred, “maybe I ought to know. I wonder who this
woman is. She says she stopped here once for a drink, and was frightened
off by the woman with the big black eyes. That must have been
Geraldine.”
“Did you speak to me?” asked the lady in question, who was passing
through the hall, and had heard her name.
“Don’t tell her of the note. Simply ask about the woman,” whispered the
Judge, feeling that if anything about Mildred should prove to be wrong,
he would rather no one but themselves should know it.
Public-domain text, read in full here on John Shaqi.
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