Adopted children -- Fiction; American fiction -- 19th century; Dime novels
“There, Clubs and I will stay here, I guess,” said the Judge, stopping
beneath a tall hemlock, which grew within a dozen rods of the building.
Mildred made no answer, but moved resolutely on until she had crossed
the threshold of the hut, where she involuntarily paused, while a
nameless feeling of terror crept over her, everything around her was so
gloomy and so still.
In the farthest extremity of the apartment a single spot of moonlight,
shining through the rafters above, fell upon the old-fashioned cupboard,
from which two rats, startled by Mildred’s steps, sprang out, and,
running across the floor, disappeared in the vicinity of the broad stone
hearth. Aside from this there was no sign of life, and Mildred was
beginning to think of turning back, when a voice, between a whisper and
a hiss, came to her ear from the dark corner where the shadows lay
deepest, and where a human form crouched upon the floor.
“Mildred Howell,” the voice said, “is that you?”
Instantly Mildred grasped the oaken mantel to keep herself from falling;
for, with that question, the human form arose and came so near to her
that the haggish face and projecting tooth were plainly visible.
“You tremble,” the figure said; “but you need not be afraid. I am not
here to hurt you. I loved your mother too well for that.”
There was magic in that word, and it unlocked at once the daughter’s
heart and divested it of all fear. Just then the moon passed from under
a cloud, and through a paneless window, shone full upon the eager,
expectant face of the beautiful young girl, who, grasping the hand of
the strange old woman, said, imploringly:
“Did you really know my mother,—my own mother?”
“Yes,” returned the woman; “I knew her well. I was with her when she
died. I laid her in the coffin. I followed her to the grave, carrying
you in my arms, and then I did with you what she bade me do,—I laid you
at Judge Howell’s door, and stood watching in the rain until he took you
in.”
She spoke rapidly, and, to Oliver, who had drawn so near that he could
distinctly hear the whole, it seemed as if she were repeating some
lesson learned by rote; but Mildred had no such thought, and, pressing
the bony arm, she asked:
“But who am I? What is my name? Who was my father? and am I like my
mother?”
“That’s what I’ve been trying to make out,” returned the woman, peering
closer into her face, and adding, after a minute survey: “Not like her
at all. You are more like the Howells; and well you may be, for your
poor mother wore her knees almost to the bone praying that you might
resemble them.”
“Then I am a Howell!—I am a Howell! and Richard was my father! Oh, joy,
joy!” and the wild, glad cry went ringing through the ghostly ruin, as
Mildred thus gave vent to what she had so long and secretly cherished in
her heart.
Public-domain text, read in full here on John Shaqi.
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