How beautiful these poems are! When you read them, they take you softly
by the hand and lead you into a garden. Here you see no more the murky
horizon of the city, the workshops; you do not hear the din of streets,
nor that resonant rhythm that raged along in cataract on cataract; you
hear a gentle music as of a playing fountain. Passion does not project
you here to the great ecstasies of humanity and the sky; it has no will
to make you wild and fervid; it soothes you to tenderness and devotion.
The strident voice has grown soft, these colours are of transparent
crystal, this song seems to express the vast silence from which those
great passions drew their force. But these poems are not artificial.
They too are of one woof with the elements of Nature; but not with the
great, wild, and heart-moving world, not with the fiery sky, not with
thunder and tempests: it is only a garden that you surmise here, a
peaceful cottage, with birds singing about it, where there are
sweet-scented flowers and silence hanging between trees in blossom. The
adventures are insignificant in feature. You breathe the poetry of
everyday life, but not that of open and wildly surging roads--only the
poetry of closed walls, softly spoken dialogues about little things, the
tenderest secrets of home. These are the experiences of personal
existence, this is the ordinary day between the great ecstasies. The
lamp burns softly in the room, the silence is full of wonderful
tenderness:
Et l'on se dit les simples choses:
Le fruit qu'on a cueilli dans le jardin;
La fleur qui s'est ouverte,
D'entre les mousses vertes,
Et la pensée éclose, en des émois soudains,
Au souvenir d'un mot de tendresse fanée
Surpris au fond d'un vieux tiroir,
Sur un billet de l'autre année.[3]
Here you have the deepest feeling, thanks and devotion, not in ecstasy
to God and the world, but addressed to one single being. For Verhaeren
is one who is ever receiving gifts, who always feels that he is being
heaped with favours, who has always to give thanks for life and all its
miracles. Without measure, with that zest, with that incessantly renewed
joy which is the deepest secret of his art, he here again and again
expresses love and gratitude. As Orpheus rises to Euridice from the
nether world, here the sick lover ascends to the lady who has saved him
from the dark. And again and again he thanks her for the good hours of
quietness; again and again he reminds her of their first meeting, of the
sunny happiness of these present days:
Avec mes sens, avec mon cœur et mon cerveau,
Avec mon être entier tendu comme un flambeau
Vers ta bonté et vers ta charité,
Je t'aime et te louange et je te remercie
D'être venue, un jour, si simplement,
Par les chemins du dévouement,
Prendre en tes mains bienfaisantes, ma vie.[4]
These verses are genuflexions, folded hands, love that by humility
becomes religion.
Public-domain text, read in full here on John Shaqi.
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