Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
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Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
It was also this Russian review that first issued "La Faute de l'Abbé
Mouret," the fifth instalment of the "Rougon-Macquarts" and one of the
most romantic of all Zola's novels. He wrote it in the Rue St. Georges
in the summer of 1874, after arranging for the publication in book
form of ten short stories which he had contributed during recent years
to newspapers, almanacs, and other periodicals. The little volume was
called "Nouveaux Contes à Ninon," and the reception given to it by
both the critics and the public was distinctly encouraging.[12] The
former, however, cold-shouldered "La Faute de l'Abbé Mouret," which was
published by Charpentier in 1875, though this was the first of Zola's
novels that reached, not a great sale certainly, but one which may
fairly be called considerable for that period. In 1876 a sixth edition
of it was reached, followed by another in the ensuing year.[13]
When "Abbé Mouret" was placed on the market, Zola, who seldom if ever
rested, was already working on his next book, "Son Excellence Eugène
Rougon," in which he dealt with the political side of the Second
Empire and sketched the life of the Imperial Court at Compiègne. Some
years previously, in 1865, when he was writing for "L'Événement," that
journal had published a series of articles signed "D," chronicling
the imperial sojourn at Compiègne; and these had been collected in
a volume to which the fanciful subtitle of "Confidences d'un Valet
de Chambre"[14] was given, though, in point of fact, the author was
simply a journalist, recommended by Théophile Gautier for the express
purpose of reporting the doings of the court during its _villegiatura_,
and in that way refuting the thousand rumours of indescribable orgies
at Compiègne, which circulated among the more credulous Parisians. From
the record in question, a very accurate one, Zola, who, of course had
never been a guest at Compiègne, derived considerable information, but
sundry critics, unacquainted with the truth, twitted him for having
placed reliance on back-stairs gossip, when in reality he had taken as
his guide statements issued with the Emperor's express approval.
Public-domain text, read in full here on John Shaqi.
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