Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
He busied himself with "L'Assommoir" on his return to Paris in the
autumn, and arranged for the "serialisation" of his completed novel,
"Son Excellence Eugène Rougon," in "Le Siècle" early in the following
year, 1876.[19] He was then in high spirits. "Fortune," he said
to Edmond de Goncourt, "was at last finding its way to his home."
Indeed, a stroke of luck had befallen him. A daily evening paper, "Le
Bien Public," had appointed him its dramatic critic at a salary of
six thousand francs a year. This journal had been started with the
support of Thiers, since whose resignation of the presidency of the
Republic in 1873 France had been governed in a reactionary spirit by
MacMahon's ministers. During that troublous period "Le Bien Public,"
whose connection with Thiers was well known, rendered good service
to the Republican cause, first rallying many hesitating people, then
becoming more and more democratic, and helping on that alliance of the
middle class and the _proletariat_ which saved France from monarchical
intrigues and resulted in MacMahon's downfall. Zola was delighted
to join the paper, particularly as it allowed him all freedom in
his dramatic criticisms, which were written in his usual trenchant
style. Of course he had to give to them some of the time he had
hitherto allotted to his books, but he was not afraid of additional
work, particularly when it was of a nature to bring him nearer to the
Parisian stage, on which, in spite of every rebuff, he still dreamt of
triumphing. Moreover, the increase in his income was very welcome; with
the salaries he deceived from "Le Bien Public" and "Le Sémaphore"--for
which he still wrote--the proceeds of his contributions to the Russian
review, which some months amounted to eight hundred francs, and the
money accruing from his books, his income, in the early part of 1876,
before the serial publication of "L'Assommoir," represented quite
twenty-five thousand francs, and perhaps thirty thousand francs a
year.[20] But he decided to offer his new story to "Le Bien Public";
and that he could now command good terms is shown by the fact that
the paper agreed to pay him ten thousand francs for the serial rights
without even seeing his manuscript, which, by the way, was not ready,
though he had given information respecting the subject he meant to
treat.
Public-domain text, read in full here on John Shaqi.
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