Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
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Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
"His [Sandoz's, otherwise Zola's] drawing-room was becoming
crowded with old furniture, old tapestry, nick-nacks of all
countries and all times--an overflowing torrent of things
which had begun at Batignolles with an old pot of Rouen
ware, which Henriette [Madame Zola] had given her husband on
one of his fête days. They ran about the curiosity shops
together; they felt a joyful passion for buying; and he now
satisfied the old longings of his youth, the romanticist
aspirations which the first books he had read had engendered.
Thus this writer, who was so fiercely modern, lived amid
the worm-eaten middle ages which he had dreamt of when he
was a lad of fifteen. As an excuse, he laughingly declared
that handsome modern furniture cost too much, whereas with
old things, even common ones, you immediately obtained some
effect and colour. _There was nothing of the collector about
him_, his one concern was decoration, broad effects; and to
tell the truth, the drawing-room, lighted by two lamps of old
Delft ware, derived quite a soft, warm tone from the dull
gold of the dalmaticas used for upholstering the seats, the
yellowish incrustations of the Italian cabinets and Dutch
show-cases, the faded hues of the Oriental door-hangings,
the hundred little notes of the ivory, the crockery and the
enamel work, pale with age, which showed against the dull red
hangings."[15]
No doubt, among the great quantity of tapestry, carved wood, old
furniture, pottery, church embroideries, and so forth, which Zola thus
gathered together, there were occasionally things which did not suggest
the best taste or the greatest accuracy of judgment. But the statement
quoted above shows that he disclaimed collecting in the ordinary sense,
and made purchases solely for decorative purposes. And, in any case,
even if he bought a few things whose only recommendation was their
quaintness, or accepted an object as genuine when an expert would have
known it to be spurious, his transgressions in those matters were of
no importance to the world at large, and one is surprised that some of
his "candid friends" should have thought it worth while to expatiate on
them.
Public-domain text, read in full here on John Shaqi.
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