Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
In September, 1879, when Zola had written about half of "Nana," he
arranged with M. Laffitte, editor of "Le Voltaire," which was then
publishing his articles on "scientific fiction," to produce the story
in that newspaper, and M. Laffitte at once advertised it in a fashion
worthy of Barnum himself. Huge posters appeared on all the walls of
Paris, "displayed" announcements invaded the newspapers, sandwich men
patrolled the streets, ticket-advertisements were even affixed to the
gutta-percha tubes of the pipe-lights in the tobacconists' shops; and,
indeed, upon every side one found the imperious injunction: _Read Nana!
Nana!! Nana!!_[19] All this greatly vexed Zola, who had shut himself
up at Médan to finish the book, and who did not at all desire to be
advertised in such an extravagant fashion. To make matters worse, the
serial issue had scarcely commenced (October 16, 1879) when several
newspapers began to discuss the story, all the quidnuncs demonstrating
by A _plus_ B that the opening chapter was not at all such as it ought
to be, and that the work was bound to prove a failure. Then, too,
letters full of suggestions or criticism or denunciation rained upon
Zola at Médan, putting his nerves to the severest test. Nevertheless,
he worked on steadily, taking the greatest care over even the most
trifling details, employing a friend to obtain precise information on
such matters as phaetons and tandems, the decorations of Mabille,
the aspect of the rooms on the top-floor of the Grand Hotel, the view
from them, and the facial mask of a woman dying (as Nana died) from
small-pox.[20]
As the publication proceeded in "Le Voltaire" the complaints became
more numerous. A good many people professed to be shocked, Gambetta
presently complained to the editor that the story was "too strong";
and the editor requested Zola's permission to curtail or omit certain
passages. This was accorded, the latter half of the work appearing in
"Le Voltaire" in a bowdlerized form. On January 2, 1880, Zola started
on the fourteenth and last chapter, and on January 7 he completed it.
"Let me tell you a great piece of news," he wrote to a friend that day,
"I finished 'Nana' this morning.... What relief! Never did any previous
work of mine upset me as this has done. At present let it be worth
what it may, it has ceased to exist for me. I write to you in the joy
of deliverance. My last chapter seems to me to be the most weird and
successful thing I have ever written."[21]
Public-domain text, read in full here on John Shaqi.
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