Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
[18] This woman had an extraordinary career. She was of German origin,
her real name being Theresa Lachmann, but she was born in Russia,
and first married a French tailor of Moscow, named Villoing. After
eloping with Herz, the well-known pianist, she entered the Parisian
_demi-monde_ under the auspices of the notorious Esther Guimond.
Finding herself in difficulties she proceeded to London, fascinated
and half-ruined a member of an English ducal house, returned to Paris,
ruined several French nobles there, and ultimately married Viscount
Armijo de Païva of the Portuguese Legation, whom she also ruined
and who committed suicide. Though her beauty, which had been great,
was then fading, she captivated Count Henckel von Donnersmarck, a
connection of the Bismarck family, and he ended by marrying her. She
lived in a magnificent mansion in the Champs Élysées adorned by Baudry,
Cabanel, Gérôme, and Clésinger; and Girardin, Gautier, About, Ponsard,
Angier, Houssaye, and Goncourt were familiars of her drawing-room. She
died in 1884 on her husband's estate in Silesia.
[19] Alexis, _l. c._, p. 118.
[20] Mr. R. H. Sherard in his "Émile Zola: a Biographical and Critical
Study," London, 1903, prints several of Zola's letters on the above
subjects. The following may be given as a specimen: "Médan, September
18, 1879: I have received your book on small-pox. That will evidently
suffice for my purpose. I will devise a death mask by comparing the
various documents. I am very much tempted to make the disease black
pox which, in point of horror, is the strangest. Only I admit that if
without taking too much trouble you could manage to see the corpse of
a person who had died of that complaint--I say, that is a nice little
task!--you would oblige me greatly. In that case mind you supply full
details about the state of the eyes, nose and mouth, giving me a
precise geographical chart, from which, of course, I should only take
what I may need." This suggestion was not acted upon. In describing
Nana's death Zola eventually had to rely on the statements he found in
medical works.
[21] Sherard, _l. c._, p. 171.
[22] "Nana," Paris, Charpentier, 1880, 18mo, 528 pages; one hundred and
sixty-sixth thousand on sale in 1893; one hundred and ninety-eighth
thousand in 1903; some special copies on Japan, India, and Dutch
papers. Illustrated edition: Marpon and Flammarion, n. d. but 1882,
large 8vo titles, 456 pages, with sixty-six wood engravings after
Bertall, Gill, Bellenger, Clairin, etc. A hundred copies printed on
Dutch paper with impressions of the engravings on India paper, and a
special frontispiece showing Nana on a sofa. The ordinary copies of the
illustrated edition were priced at 6 francs, but were also sold very
largely in fifty-seven parts at 10 centimes. From 1882 to the present
time (1903) over two hundred thousand copies of the illustrated edition
have been sold, bringing the total sales of the work (apart from
translations) to nearly half a million copies.
Public-domain text, read in full here on John Shaqi.
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