Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
"I do not know what is thought in Paris of this protest which
has brought me some very kind letters from my _confrères_,
but it has stupefied me. I do not know those young men. They
do not belong to my _entourage_, they have never sat at my
table, they are not my friends. If they are disciples of
mine--and remember I do not seek to make disciples--they
are so without my knowledge. Why then do they repudiate me?
The situation is original. It is as if a woman with whom a
man never had any intercourse were to write him: 'I have
had quite enough of you, let us separate!' The man would
certainly reply to that: 'It's all one to me.' Well, the
position is very similar.
"If friends of mine, if Maupassant, Huysmans, and Céard, had
addressed me in such language publicly, I should certainly
have felt somewhat offended. But this declaration can have no
such effect on me. I shall make no answer to it at all. It
would be giving importance to a matter which has none. When
I am fighting a theatrical battle I write an open letter to
Sarcey because Sarcey certainly exercises great authority.
In some literary discussions I have written in a similar way
to Albert Wolff, because he is an old _chroniqueur_ to whom
people listen. But whatever may be my feelings towards the
five gentlemen who have signed the document we are speaking
of, they must excuse me if I don't answer, for I have nothing
to say to them.... One thing I cannot understand is why these
young men should pass themselves off as soldiers of mine
deserting my flag. The only one I know a very, very little
is Bonnetain, whose 'Opium' I have read, and whose talent I
esteem. He once called on me; and when he appeared before the
Tribunal of Correctional Police, after 'Chariot s'amuse,'
he wrote asking me to let him have a letter to be read in
court. I sent him one, but I advised him not to use it, for
the judges, I fancy, hold me in slight esteem. Well, I met
Bonnetain again at Daudet's, at the 'Sapho' dinner, and that
is all!... The comical part of the affair is that people
used to reproach me with what they called 'my tail.' They
were willing to tolerate what I wrote, but they refused to
accept the productions of the young men who claimed to be
my disciples--though I cried from the house roofs that I had
none. 'Cut your tail off!' people repeated. Well, it is cut
off at last. It has taken itself off of its own accord, and
now, perhaps, folk will be satisfied."[65]
Public-domain text, read in full here on John Shaqi.
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