Meantime Zola, who naturally heard of Vizetelly's trial, attached, personally, little importance to it. He held that the English were making themselves ridiculous by setting up a puritanical standard of morality when their own literature contained many examples of outspokenness going far beyond anything that he had ventured upon. Apart from the writers of the past, he had some acquaintance with modern English novels such as had been translated into French, there being various series of that kind;[25] and he took the view that many of them, with the glamour they cast over vice and even their artful reticence, were certainly calculated to demoralise people, whereas his own rough frankness could only give the reader a shock, as indeed it was intended to do. At the same time he was not surprised at the outcry, for there had been one in France, where the ground was far better prepared for outspokenness than in England, where the cant of the Victorian era had ever striven to set restrictions on the novelist's art. Thackeray, we know, had chafed under them, and had written on his preface to "Pendennis": "Even the gentlemen of our age ... we cannot show as they are, with the notorious foibles and selfishness of their lives and their education. Since the author of 'Tom Jones' was buried no writer of fiction among us has been permitted to depict to his utmost power a MAN. We must drape him, and give him a certain conventional simper, Society will not tolerate the Natural[26] in our Art." As for the issue of the affair for the Vizetellys, of whom Zola then knew little, having only had a few business transactions with them, he did not feel deeply affected, for the matter seemed to him to resolve itself into a moderate pecuniary loss which, he imagined, the defendant would be well able to incur, having made considerable profits on the incriminated books.[27] For the rest, when in later years Ernest Vizetelly showed him various newspaper cuttings imputing to him a variety of statements, Zola remarked that some he had never made, while as for others his words had evidently been misconstrued. As it happened, the affair proved far more serious for Vizetelly & Co. than Zola had thought possible. The firm then had several thousand pounds locked up in illustrated books which were not nearly ready for publication. The sales of its existing books had been declining for several months, so that its receipts had become small, though its expenses remained heavy and it had liabilities such as are always incurred in trade. Under these circumstances it was felt that the Zola translations, being a valuable property, could not be entirely sacrificed. The undertaking given in court was interpreted in the sense previously indicated, and, though the books were absolutely withdrawn for a time, it was decided to put them on the market again after they had been adequately expurgated.