Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
when a writer does not sign his work, and becomes a mere wheel in a
great machine, he ought to share the income earned by that machine.
Have you retiring pensions for your aged journalists? After they have
devoted their anonymous labour to the common task, year after year,
is the bread of their old age assured to them? If they signed their
work, surely they would find their reward elsewhere; they would have
laboured for themselves. But when they have given their all, even their
fame, strict justice demands that they should be treated like those old
servants whose whole life has been spent in the service of the same
family."
The journalists present having derided the suggestion that they were
well paid, it seemed only natural that they should approve the idea
of old-age pensions. At that time, of course, there already existed
such organisations as the Newspaper Press Fund; and since then various
pensions have been established by the Institute of Journalists; yet
one may well wonder if there be even nowadays anything approaching
adequate provision for the old age of journalists, of whom the great
majority are able to save little or nothing of their earnings. It was
undoubtedly this side of the question that most influenced Zola in
his remarks on anonymity, which he regarded as being entirely in the
newspaper proprietor's favour, for it enabled him, if he chose, to cast
a writer adrift with nothing of the position which he might have held
in public esteem as the result of his labours, if his articles had been
signed. Briefly, in journalism as in other matters, Zola was on the
side of the worker and against the capitalist.
No doubt when he was invited to London, purely and simply on account
of the office he held, it was not foreseen that his visit would develop
as it did. But although he was accompanied by several notable men he
speedily dwarfed them all, becoming the centre of attraction at every
gathering of the Institute of Journalists. There was a great dinner
at the Crystal Palace, a reception at the Imperial Institute, and
another, which was given to the journalists by the Lord Mayor, at the
Guildhall. That historic building was then thronged to overflowing, and
it was strange indeed--remembering all that had gone before--to see
Zola and his wife marching in a kind of state procession, preceded by
the City's trumpeters and followed by the Lord Mayor, the President of
the Institute and other dignitaries, while some official who cleared
the way called persistently: "Monsieur Zola! Madame Zola!" as though a
couple of royalties were approaching.
Public-domain text, read in full here on John Shaqi.
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