Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
Then the series continues. All the Rougons--excepting one, Pascal, whom
the novelist keeps back till the end--have now been dealt with, the
Mourets also, and the chronicle of the bastard Macquart branch begins.
Antoine Macquart has three children, Lisa, Gervaise, and Jean, and it
is Lisa who supplies the next volume of the series, "Le Ventre de
Paris" (XI), which carries one through and around the great markets of
the French metropolis, as well as into the fine pork-butcher's shop,
which Lisa keeps with her husband, Quenu. This is a volume redolent of
victuals certainly, marked also by the egotism of the shopkeeping and
petty trading classes, with yet a glimpse of one of those conspiracies
which were frequent in the time of Napoleon III, and a backward glance
at the _coup d'état_ by which that sovereign had risen to power. The
chief figure in the story is Quenu's brother, the unhappy Florent, who
has escaped from Cayenne, and whom Lisa, that comfortable egotist,
ends by betraying to the authorities. For that ultra-righteous
deed,--counselled by Lisa's confessor,--and for the savagery of all
the fat fishwives, one is consoled by the presence of honest Madame
François and of Cadine, the little flower-girl, and Marjolin, her
youthful lover, whose smile brightens many a page.
Then, in "La Joie de Vivre" (XII), comes Pauline, whose nature is so
different from that of her mother, Lisa. She has no egotism in her
composition, she would never betray anybody; she is all human devotion
and self-sacrifice. With her we are carried to the seashore, to a
little fisher hamlet, where her guardian Chanteau dwells; and he, his
wife, and his son prey upon her, wrecking her life, though she remains
brave and smiling till the end. And how little joy there may be in life
is shown not only by her case, but by that of the crippled Chanteau,
his embittered, covetous, suspicious wife, his jealous servant, and his
weak-minded son, who tries to be this and that, but succeeds in nothing
and is consumed by a foolish, unreasoning dread of death. It is to
these that Pauline has to minister, for these that she has to sacrifice
herself, even as it often happens that the good have to lay down their
lives for the unworthy.
Public-domain text, read in full here on John Shaqi.
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