Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
From the first gossip at Madame Meurice's it had been arranged that
Zola should belong to the staff of the proposed journal, the principal
contributors to which were Charles and François Hugo, the great man's
sons; Louis Blanc the historian; Auguste Vacquerie, perhaps the
ablest and most fervent of all the _Hugolâtres;_[16] Paul Meurice,
of whom one has already spoken; Rochefort, who reprinted portions of
his "Lanternes" in "Le Rappel"; Édouard Lockroy, who subsequently
married Charles Hugo's widow, and since those days has been a member
of more than one Republican Chamber and Ministry; Laferrière, who
under the Republic became President of the Council of State, and later
Governor-general of Algeria; and finally Zola.
It has already been shown that the latter was by no means a frantic
partisan of Victor Hugo, but he was drawn towards the great man's band
by circumstances, by an admiration for the poet, which if tempered by
his critical sense was within its limits perfectly sincere, and also
by a genuine sympathy with the object which the projected newspaper
was to further. In one of his earliest contributions to the press,
one dealing with Napoleon III's "Life of Cæsar," he had shown that
he in no wise admired the Man of Destiny. Other early writings, even
passages of "Les Contes à Ninon," breathed a spirit incompatible with
Bonapartist imperialism. Further, life in the Quartier Latin had helped
to republicanise Zola, and when he took to journalism for a livelihood,
it was to the popular opposition press that he naturally turned. Even
if "L'Événement" and "Le Figaro" were originally non-political, their
tendencies at any rate were against the Empire. Again, "Le Salut
Public," of Lyons, was not a government journal, nor was "Le Gaulois,"
to which Zola contributed several articles on social subjects,
literature, and literary men soon after its establishment by Edmond
Tarbé. Then, too, "La Tribune," a weekly journal for which he wrote
regularly, was certainly most democratic, if rather eccentric in some
of its views.[17]
Nevertheless, a few years after the invasion and revolution, Edmond de
Goncourt, lunching one day with Princess Mathilde Bonaparte, did not
hesitate to declare that the Empire might have secured Zola's services
had it chosen. "He was penniless, he had a mother and a wife to keep.
At the outset he had no public opinions. You could have had him on your
side like many others, had you chosen. He could only find democratic
newspapers to take his copy. Living among all those folk, he became a
democrat. It was quite natural." And Goncourt added that the Princess
Mathilde had disarmed many hatreds and angers by her friendship,
graciousness, and attentions, winning over such men as himself, his
brother, and Flaubert to the Empire which, otherwise, they also would
have attacked.[18]
Public-domain text, read in full here on John Shaqi.
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