Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
His refusal, at the first opportunity, of the sub-prefectoral
appointment which he had only accepted as a _pis-aller_, was therefore
wise. He could not get rid of politics, whatever may have been his
desires, but he at least confined himself to the duties of a political
journalist. He became a correspondent of "Le Sémaphore," the chief
daily paper of Marseilles, his connection with which lasted seven
years. Further he placed himself in communication with "La Cloche"
of Paris, for which he had written a few articles previous to the
Siege, and which, curiously enough, was directed by Louis Ulbach,--the
novelist and critic who had denounced "Thérèse Raquin" as "putrid
literature." That quarrel, apparently, had been patched up, and Zola
and Ulbach, while remaining of antagonistic literary schools, had
found some basis of agreement in politics. At all events the former
now became the descriptive parliamentary correspondent of "La Cloche,"
recording the doings of the National Assembly, first at Bordeaux, later
at Versailles, his connection with this journal lasting till the summer
of 1872, when he carried his pen to "Le Corsaire," for which he wrote
several fiery political articles, one of which, called "The Morrow of
the Crisis"[26] almost led to the paper's suppression.
Leaving Bordeaux for Paris about the time when the Assembly removed to
Versailles, Zola who had seen nothing of the German siege, at least
witnessed various incidents of the Commune.[27] The little house in
the Rue de La Condamine was now again his home, and at times he went
about the city, and at others betook himself to Versailles, zealously
attending to his duties for "La Cloche." At that moment there could be
no thought of book-writing; but after the fall of the Commune at the
end of May, 1871, he again turned to "La Curée," and prevailed upon
Ulbach to print that story as a serial. Considerable confusion still
prevailed in Paris, and he was put to many shifts for information which
he needed--shifts which some of his critics afterwards imputed to him
as crimes, though the wonder is that he should have been able to write
such a book at all, in the hurly-burly through which France was passing.
Public-domain text, read in full here on John Shaqi.
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