Miles Tremenhere: A Novel. Vol. 1 of 2Maillard, Annette Marie
General
Miles Tremenhere: A Novel. Vol. 1 of 2
Maillard, Annette Marie
English fiction
This suited the other's views exactly; so, leaving his horse in charge
of a man who was loitering about, he walked quietly up to the cottage.
The front gate stood open; he walked through a prettily arranged
garden, filled with autumnal flowers, to the hall door, and rapped
gently. He came, like a good general, to surprise, not storm the
capital. A neat-looking girl answered the door. "Is Mr. Tremenhere at
home?" inquired the visiter.
"No, sir," was the reply. "He will not return till this evening."
"Very provoking!" exclaimed he; "I am leaving town, and wished
particularly to leave a message, or see him."
The girl made no reply; she was not evidently accustomed to see many
visiters there.
"Could I see any one to leave it with, or write a note?" he asked.
"If you would please to step in, sir; I dare say you can write to
master," she said, drawing back. Lord Randolph wanted no further
invitation. In an instant he was following the girl down the passage.
CHAPTER XXIII.
The girl threw open a door, and he entered; his heart was not quite free
from pulsation. He was not a man of adventure by nature--two or three
motives urged him to this one. The room was quietly, but _gracefully_
furnished; the curtains were not of rich damask, neither were there rich
bronzes, _ormolu_, or tables to break one's neck over, or shiver to
atoms in the fall thereof half a dozen hideous idols, or Chinese cups
and saucers--no! it was not a company receiving-room, but the apartment
of a refined and domestic mind. The two generally unite, for they
emanate from our best mistress--Nature. The curtains and furniture were
of pale green chintz. There were a few choice flowers in a vase on the
table; one single dahlia, rich in colour, alone, like a queen in state
and beauty, in a rich Bohemian glass, on a centre table; and, like
attendant courtiers, in various smaller ones, were varied specimens
scattered about amidst books, pencils, half-finished bouquets, shewing
why they were there--for art to perpetuate nature. There were ottomans,
easy-chairs, and ladies' work; in short, home spoke to you in every
thing. There was an open piano, and music scattered about; and the
tables, piano, even to the frames of the mirrors, were of maple-wood.
Another door opened into a small conservatory with stained glass
windows--it was, in truth, a little paradise. A cheering fire enlivened
the whole--for though a fine day, it was chilly; yet the sun shone
without, and in the bright conservatory, where summer seemed still to
reign. "You can write a note here, sir, if you please," said the woman,
placing materials before him; "and when you have finished it, if you
will be good enough to ring the bell, I will return." Thus saying, and
not having a fear of those adventurous knights called London thieves
before her eyes, she withdrew quietly. Every thing there breathed peace,
even the placid servant.
Public-domain text, read in full here on John Shaqi.
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