Our readers must not suppose that Lady Dora Vaughan was in love with Miles Tremenhere. The outcast of society could never find a cherished home in a heart so proud as her's. True, we cannot always command our feelings; but we can check them. Her's towards him were, more bordering on hate than love--And why? because she had _nearly_ loved, and her pride revolted so much against her weakness, that dislike towards the object had followed; still, her sensations were far from agreeable. Do as she might, she could not despise the man; she was bound to admire, and even while doing so, feel that it would be worse than any marriage with age or decrepitude (rank and wealth of course accompanying them,) to love this noble-hearted man, simply because the laws of society condemned him as an outcast, for his mother's supposed error. And this frightful fault of pride, was the bane of a host of good qualities and virtues in Lady Dora. It marred them all; making her seem worldly, cold, and heartless, whereas a good, simple-minded mother would have created a jewel of price in this girl. She had met Miles in Florence--met him merely as an artist, whose rising talent entitled him to portray her fine features for the admiration of posterity. As a very young man, when wealth and position were his, Miles had studied painting as an art to which inspiration called him. Sculpturing, too, he practised, but less than the other. Perhaps it was, next to his mother's wrongs, the severest blow of his unhappy fate, when he found himself driven from his studio at the manor-house, where his happiest hours had been spent. He had passed years of his life at different periods, since boyhood, in Italy, and studied with the best masters. When his troubles seemed to have quite overwhelmed him, after flinging back with scorn the hundred a year his base cousin dared offer him--as indeed he would have done thousands, from his, or any hand in charity--he had recourse to his talents for support. He returned to Italy; and now every energy of his genius was directed towards the acquirement of wealth, for the purpose we have shown. This was the man Lady Dora had sat to; and, though she did not admit the fact at Gatestone, she, but not her mother, had been perfectly aware that he was the once master of the manor-house. Even while under his pencil at Florence she had, struck by the name, sought his confidence, which he freely gave her--only from her mother was it withheld. Lady Dora never spoke of herself; imagining that every one must know her rank and family, she merely spoke of having been at Gatestone, and he inquired no farther. Under the mask with which pride concealed the working of her features and heart, Lady Dora had warm affections. Though she did not fully enter into the merits of Tremenhere's case, neither did she believe that, had his mother been innocent, he could be so much wronged; still she felt much sympathy for